The Society of Camera Operators has named Geoff Haley Camera Operator of the Year in Film for his work on The Joker. Jim McConkey, SOC was awarded Camera Operator of the Year in Television for his work on The Marvelous Mrs. Maisel.
Production & Post-Production
With real-time technology growing at an unprecedented pace and shaping countless industries in its wake, the need for a unifying event to bring together the pioneers of today with the leaders of tomorrow has never been more important. The inaugural RealTime Conference will address that April 6-7 with simultaneous events taking place in both New York and Paris.
The Motion Picture Sound Editors association presented the 67th MPSE Annual Golden Reel Awards at a black-tie ceremony Sunday, January 19 at the Bonaventure Hotel in Los Angeles. Golden Reel Awards recognizing outstanding achievement in sound editing were presented in 23 categories encompassing feature films, long-form and short-form television, animation, documentaries, games, special venue and other media.
The American Society of Cinematographers has named Terry McCarthy as CEO of the organization. In this newly created role, McCarthy is responsible for all business matters relating to the Society, including events, educational efforts, and publishing.
In an intensive, one-night-only workshop, Goldcrest Post and CinePointe Advisors will teach filmmakers everything they need to know about delivering their projects for cinema, streaming and broadcast. The event will provide a complete overview of the film delivery process, encompassing evolving technical requirements, complex legal considerations and essential project management skills. Participants will learn how to save time and money, while ensuring their deliverables conform to the latest industry standards. Titled Demystifying Film Delivery: What Every Producer Should Know, this can’t miss workshop is scheduled for Wednesday, February 5th at Goldcrest Post in Manhattan.
Cinematographer Peter Chang has completed his latest film, Cuba, which won the Best Documentary award at the 34th Annual Fort Lauderdale International Film Festival and has begun releasing to museums, educational institutions and other giant screen and IMAX venues. In a break from giant screen tradition, his film features close-ups. To accomplish that, he turned to Cooke lenses.
In Columbia Pictures’ Jumanji: The Next Level, the gang from the 2017 hit, Jumanji: Welcome to the Jungle, is back but the game has changed. As they return to Jumanji to rescue one of their own, they discover that nothing is as they expect. The players will have to brave parts unknown and unexplored, from the arid deserts to the snowy mountains, in order to escape the world’s most dangerous game. The film, which made its way to North American theatres in December, has collected more than $600 million at the global box office. Also marking a return engagement is the team from Sony Pictures Post Production Services that created the earlier film’s soundtrack.
The Hollywood Professional Association has announced additional details for its 2020 HPA Tech Retreat, which will take place February 17-20. The HPA Tech Retreat includes the main conference program, Supersession, TR-X and the Innovation Zone as well as extensive networking and meeting opportunities that are incorporated throughout the four day event. The 2020 HPA Tech Retreat will take place at the Westin Mission Hills Golf Resort & Spa in Rancho Mirage, California.
Dolby Laboratories congratulates this year’s Academy Award nominees who have used Dolby Vision and Dolby Atmos to bring their films to life. With the help of Dolby technologies these artists delivered spectacular experiences to audiences globally. The Academy Awards will be broadcast live from the iconic Dolby Theatre in Hollywood, on Sunday, February 9.
Santa Clarita, California post-production facility Elite Media Technologies has added two Sony BVM-HX310 31-inch 4K high dynamic range master monitors to complement several BVM-X300, 30-inch 4K/HDR OLED reference monitors. The new HX310s work in conjunction with the X300s in critical monitoring situations, mastering and quality control environments and advance Elite’s HDR capabilities by offering support for wider color gamuts and providing up to 1,000 nits of full-screen brightness with a 1,000,000:1 contrast ratio. In addition, the HX310s can be color-matched to the incumbent X300 monitors for accurate color reproduction throughout the facility.