Production & Post-Production

Felix Fissel Joins VFXnow as VP of Global Operations

Mon, 03/05/2018 - 11:54 -- Nick Dager

GPL Technologies has hired Felix Fissel to lead its VFXnow unit as vice president of global operations. Fissel, an IT specialist with deep experience in the visual effects industry, will oversee VFXnow operations in Los Angeles, New York, and Vancouver. He will also lead business development and seek to expand markets for the unit, a hardware-as-a-service provider to visual effects studios, game developers, editing houses and other creative services companies.

SMPTE Issues Call for Papers for SMPTE 2018 Annual Technical Conference

Wed, 02/21/2018 - 11:47 -- Nick Dager

The Society of Motion Picture and Television Engineers has issued a call for technical manuscript proposals for the SMPTE 2018 Annual Technical Conference & Exhibition, which will be held October 23-25 at a new venue, the Westin Bonaventure Hotel & Suites in downtown Los Angeles. Authors must submit their proposals by May 28.

Reliance Industries Takes Equity Stake in Eros International

Wed, 02/21/2018 - 10:30 -- Nick Dager

Reliance Industries Limited, through a subsidiary, has agreed to subscribe to a five percent equity stake in Eros International Media Limited at a price of fifteen dollars per share, which represents an 18 percent premium over the stock’s last closing price. The transaction is subject to customary regulatory and other approvals. Furthermore, RIL and Eros announced that they have agreed to partner in India to jointly produce and consolidate content from across India.

Shooting the Queen of Sin

Fri, 02/09/2018 - 10:36 -- Nick Dager

The Queen of Sin, the third film shot by Serge Desrosiers, CSC (a.k.a. Sergio Di Rosa), for Incendo Productions and its cable network client Lifetime, is a departure from what most people consider the traditional Lifetime made-for-TV movie. “The Queen of Sin is unlike any film that I’ve done for Incendo and Lifetime,” explained Desrosiers, whose second Lifetime film, Sometimes the Good Kill – also shot with Cooke lenses – has been nominated for an ASC 2018 award.

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