The groundbreaking documentary My Name is Pauli Murray is in theatres now and will be available on Amazon Prime October 1. The film was made by the same team that made the award-winning documentary RBG about the late US Supreme Court Justice Ruth Bader Ginsburg.
Media company Gathr will showcase the re-mastered and digitally enhanced 50th anniversary edition of the Oscar-nominated 1971 documentary On Any Sunday via its fan-driven cinema distribution model Theatrical on Demand. The documentary, financed by and starring movie icon and motocross weekend warrior Steve McQueen, is regarded as the best film ever made on the sport of motorcycle racing.
Cinedigm is partnering with online entertainment marketplace Exeest to power a fully integrated film submission platform for Fandor and its portfolio of channels. The advanced platform will use Exeest's exclusive technology to streamline the film submission process for independent filmmakers, provide the Fandor programming team a state-of-the-art way to solicit, ingest, screen and evaluate film content suitable for its audience.
Netflix and Disney+ Hotstar accounted for 50 percent of all streaming video-on-demand subscribers in India in 2020, according to Omdia’s latest 2021 Online Video Market and Consumer Trends Report. Omidia’s principal analyst, TV and online video, consumer Constantinos Papavassilopoulos said, “The online video market of India is steadily growing its foothold in every direction. The COVID-19 pandemic accelerated the growth rate of an already dynamic and robust OTT market.”
Goldcrest Post recently performed a feat of post-production magic for one of the most unusual film releases of the year. Grizzly II: The Revenge, a thriller about a giant bear that attacks fans at a rock concert, was shot in 1983 by the late Hungarian director André Szöts. Starring Steve Inwood, and including appearances by George Clooney, Laura Dern, Louise Fletcher and Charlie Sheen, the film was intended to be a sequel to Grizzly, a modestly budgeted independent film that became the top grossing independent film of all time upon its release in 1976, but it was left unfinished. That changed late last year when executive producer Suzanne C. Nagy retrieved the nearly 40-year-old original elements from storage and sought Goldcrest’s help in getting the film ready for its long-delayed release.
Cinenso has launched the Cinenso Channel, a secure platform, with multi-digital rights management, and payment infrastructure and storage at a nominal cost for global programmers of independent film content, from short films to niche genre films. It will enable curators – including scholars, rights holders and programmers – to create channels for film screenings, discussions, and archival content.
Nagra has been selected by U.S.-based Eventive, a leading platform in virtual cinema, to use Nagra’s forensic watermarking and multi-digital rights management tools to protect every film on its virtual screening platform.
Alamo Drafthouse Cinema has begun a long-term partnership with the Harlem Film House’s Hip Hop Film Festival by introducing The Vanguard Collection. Now available on Alamo on Demand, the series includes important and influential films about the Black experience and will also feature exclusive content and perspectives from voices of the Hip Hop culture.
The British mid-market private equity firm LDC has invested in Sohonet, an international provider of connectivity, collaboration software, media services and network security for the media and entertainment industry. LDC’s investment will support the existing management team, led by CEO Chuck Parker, to further build on its international growth strategy and explore complementary acquisitions.
At its next virtual meeting, which is being held February 25 at 6:00 p.m. PST, the Hollywood section of the Society of Motion Picture and Television Engineers will host a panel of broadcast experts for a discussion of the groundbreaking audio features of ATSC 3.0, the new digital television transmission standard also known as Next Gen TV.