Wez Merchant, the founder and managing director of the public relations company Strike Media has a plan to support motion picture distributors during the COVID-19 crisis. He is launching a free newsletter that would include all the home entertainment, video on demand and premium video on demand movies being released each week.
The Göteborg Film Festival’s video-on-demand platform Draken Film has launched a selection of newly released films in collaboration with leading Swedish distributors and is donating half of the revenues from new subscribers to independent Swedish art-house cinemas.
Netflix in 2019 launched about nine times as much original programming as its chief video-streaming rival Amazon, reflecting the divergent business models of the two companies, a new study shows. Last year, Netflix released 2,701 hours’ worth of original programming, compared to just 314 hours for Amazon Prime Video, according to the Omdia Original Online Production Report – 2020.
Post-production finishing for the first season of El Club, Netflix’s new young adult dramedy, was recently completed at Cinematic Media in Mexico City. The country’s only full-service facility focused exclusively on cinema and television post, the company handled both sound and picture finishing for the series, now available through the streaming service in Mexico and other Spanish-speaking markets.
A major pain point for companies using content supply chain tools in the cloud has been having to download an Interoperable Master Format package locally and re-upload it in order to actually deliver it to a platform. Here’s an all-too-common scenario: you’ve already ingested your content into the cloud, made all the required localizations, and performed final quality control procedures, but when it’s time to deliver your content, it could take you hours upon hours to download and re-upload it to the platform.
The Kudelski Group today announced a patent license agreement with FuboTV, a global leader in digital content distribution.
In an intensive, one-night-only workshop, Goldcrest Post and CinePointe Advisors will teach filmmakers everything they need to know about delivering their projects for cinema, streaming and broadcast. The event will provide a complete overview of the film delivery process, encompassing evolving technical requirements, complex legal considerations and essential project management skills. Participants will learn how to save time and money, while ensuring their deliverables conform to the latest industry standards. Titled Demystifying Film Delivery: What Every Producer Should Know, this can’t miss workshop is scheduled for Wednesday, February 5th at Goldcrest Post in Manhattan.
The trade association New York Women in Film and Television has partnered with GoIndieTV to showcase showcase the work of its talented membership through the third annual NYWIFT Online Shorts Festival. Members are invited to submit their short films, TV pilots and webisodes to the festival, which will run on GoIndieTV.com and on Roku for public viewing in early 2020.
Day-and-date film release is still a rarity in the European film market. A new free report by the European Audiovisual Observatory clarifies the release windows situation in Europe by providing a thorough analysis of the system and the economic and legal rationale on which it is based.
Goldcrest Post and CinePointe Advisors will unravel the process of preparing films for distribution in a special two-night workshop aimed at feature film and documentary producers and others responsible for budgeting and supervising films as they make their way through post-production. Sessions will offer insight into the legal, technical and physical aspects of film delivery, covering topics as wide-ranging as how to negotiate delivery terms to the intricacies of OTT delivery specs. Workshop leaders will include CinePointe Advisors business and financial affairs advisor Stacey Smith, Goldcrest Films head of production Gretchen McGowan and Goldcrest Post managing director Domenic Rom.