The film God’s Crooked Lines, based on the 1979 novel by James F. Donelan, follows Alice Gould, a private investigator who enters a psychiatric hospital by simulating paranoia to solve a crime. But a big turn of events will question her sanity and whether she is really telling the truth. The cast includes Bárbara Lennie (Magical Girl, The Mess You Leave Behind) and Eduard Fernández (Everybody Knows, El Niño).
For Panic! At the Disco’s music videos for its new album Viva Las Vengeance, cinematographer Eric Bader and director Brendan Walter took up the task creating unique videos that would make up the different acts of this rock opera. With 12 songs on the album and a tight deadline for the videos, Bader and Brendan trimmed the project to a more manageable six videos.
Am I Being Unreasonable?, the much-anticipated comedy-thriller series co-written by and starring BAFTA award-winner Daisy May Cooper and Selin Hizli, belies its low budget with a cinematic look. Shot by Slater Slater Ling, BSC, and directed by Johnny Campbell, the series is set in a small country village where Nic (Cooper) is lonely, bored in her marriage and haunted by a huge secret. One of the biggest challenges was to move away from a standard low-budget comedy look.
Cinematographer Tat Radcliffe, BSC, chose the Cooke S7/i prime lens range paired with a Sony Venice to shoot the much-anticipated Netflix film adaptation of Matilda the Musical. Although it was important to stay true to the spirit of the stage show the team had to calibrate any sense of artificial stage.
For award-winning cinematographer Aaron McLisky, ACS, and for Academy Award winning director, co-writer, and leading actor Russell Crowe, shooting the psychological thriller Poker Face came down to two things: achieving a modern look that maintained a painterly quality as well as choosing the right aspect ratio to capture the ensemble cast in a single frame. One other challenge on the set was having a director who was also the leading actor.
Cooke Optics has released a 19-40mm wide zoom in its Varotal/I FF range, which joins the 30-95mm medium and 85-215mm long zooms that were launched at the end of 2021. The 19-40mm zoom completes the Varotal/i FF series, enabling Cooke to offer broad focal length coverage for most production needs.
Cooke Optics is planning to launch a new zoom lens at EnergaCamerImages 2002 November 12-19 in Totun, Poland and is offering cinematographers the chance to try that, the new Varotal/i FF and S8/i FF ranges, and a selection of other lenses.
Low budget films with a captivating story and compelling cinematography can compete with films budgeted in the hundreds of millions of dollars. It’s a lesson proven by the Netflix independent feature Purple Hearts from director Elizabeth Allen Rosenbaum and cinematographer Matt Sakatani Roe. Purple Hearts became number seven in Netflix’s Most Popular Films List just 28 days after its release on July 29 with 220.6 million hours watched. It also became the number one film on Netflix in the UK within one week of its premiere.
Canon U.S.A. has introduced two new cinema products designed to upgrade and enhance the work of filmmakers. One is a new 8K lens; the other is a 27-inch 4K reference monitor.
For the eighteenth year, HollyShorts is presenting its Academy qualifying short film festival in person at TCL Chinese Theaters, Japan House Hollywood, and streaming on Bitpix TV. The festival is underway and runs through August 20. For the first time, Zeiss cinematography is pleased to sponsor the new HollyShorts Zeiss Achievement in Cinematography Award and participate in other festival events.
