Visual Effects

Rising to the Occasion

Mon, 07/02/2018 - 11:44 -- Nick Dager

In a project spanning six months, Rising Sun Pictures produced 86 visual effects shots for Animal World, the new fantasy adventure film that debuted to considerable fanfare at this year’s Shanghai International Film Festival and is currently in international release. The work drew on the full gamut of the studio’s core strengths and included everything from a card-playing creature to a loopy dream sequence, a mind-blowing car chase and a moody hero shot of Destiny, the hulking freighter-turned-floating-casino that serves as the film’s primary location.

VFX Studio Mr. Wolf Opens Vancouver Studio

Wed, 06/20/2018 - 12:39 -- Nick Dager

Visual effects studio Mr. Wolf has opened a studio in Vancouver. The company, which also has operations in Los Angeles and New York, has hired veteran VFX producer Chad Cortvriendt to head the new outpost as executive producer. Cortvriendt is currently leading a team of artists in creating visual effects for the third season of Syfy’s horror anthology series Channel Zero.

Playing with the Color Space

Mon, 06/18/2018 - 12:31 -- Nick Dager

Manuel Canchola is a freelance colorist based in Mexico City. He works on a mixture of commercials, television and film and uses this variety to continuously improve his skills as a colorist. Canchola, a passionate advocate for new technology and, in particular, high dynamic range, recently spoke with Digital Cinema Report about his career and his work in color grading.

AlphaDogs Completes Effects Work on Krieg

Wed, 05/02/2018 - 11:58 -- Nick Dager

AlphaDogs has completed work on the new WWII short film Krieg. Directed and produced by Jeff Fry, Krieg follows the journey of a Waffen-SS officer who chooses to do the right thing while serving on the wrong side of a world at war. His remorse for inaction in the face of murder compels him to risk all in order to protect a wounded enemy airman.

Tags: 

Creating the Worlds of Ready Player One

Wed, 04/04/2018 - 11:41 -- Nick Dager

Steven Spielberg’s Ready Player One features two separate worlds. Each features very different realities and each required a different approach to filming. One depicts a fractured, dystopian future, while the other is filled with infinite possibilities. To help create this, Audiomotion, in collaboration with Digital Doman, relied on Vicon optical systems.

Blending Two Visual Looks into One

Thu, 03/22/2018 - 14:07 -- Nick Dager

VFX Legion recently created the visual effects for the highly anticipated crossover episodes of Scandal and How to Get Away with Murder. Legion has handled all of the visual effects for both shows for almost three-years. However, the crossover episodes required visual effects that blended with two series that use different tools and each have their own look, presenting a more complex set of challenges.

Tags: 

Felix Fissel Joins VFXnow as VP of Global Operations

Mon, 03/05/2018 - 11:54 -- Nick Dager

GPL Technologies has hired Felix Fissel to lead its VFXnow unit as vice president of global operations. Fissel, an IT specialist with deep experience in the visual effects industry, will oversee VFXnow operations in Los Angeles, New York, and Vancouver. He will also lead business development and seek to expand markets for the unit, a hardware-as-a-service provider to visual effects studios, game developers, editing houses and other creative services companies.

Arri Media, Trixter to Partner on VFX and Animation

Thu, 02/08/2018 - 13:21 -- Nick Dager

Arri Media and Trixter have agreed on a strategic and operational collaboration in the fields of VFX and animation. In the future and across locations, both post-production companies will be offering all their visual effects and animation services together. In addition to the coordinated interfaces and optimal scalability, customers will now benefit from a much larger range of services.

Pages

Subscribe to Visual Effects