Featured Stories

DCPSR, Riverbed Post Partner

Tue, 03/22/2016 - 11:54 -- Nick Dager

The Dick Clark Productions Screening Room and Riverbed Post are now co-located to jointly provide a wide range of services for feature film post-production and presentation. The screening room features a 21-seat theater and associated rooms at Lantana, as well as it’s just installed Christie CP-4220 4K Digital Cinema projector and other 4K upgrades. Riverbed’s Chris F. Woods manages dailies processing, VFX, title design and production, color grading, and mastering with his state of the art finishing hardware and software.

The Spring: Single Camera VR

Mon, 03/21/2016 - 13:54 -- Al Caudullo

I recently worked as a camera operator on a VR feature called The Spring. The first question of many questions that I had for Greg Passmore, owner of Passmore Labs, Austin, Texas was, “When you are shooting a 3D 360 degree VR movie in a cave where at times you are perilously close to the top of the caves due to the water level, where do you position the crew?” His reply threw me off guard. He said, “Anywhere I want.” It was then that he told me he was shooting with one Red Epic camera. The question then was, how?

AEG, Regal Partner with Barco on Exhibition Innovation Center

Mon, 03/21/2016 - 13:44 -- Nick Dager

AEG, one of the world’s largest sports and entertainment presenters, and Regal, operators of the largest theater circuit in the United States, are partnering Barco on a multi-year, strategic partnership to create Regal L.A. Live: A Barco Innovation Center. The current Regal Cinemas L.A. Live, owned by AEG, will transform into a one-of-a kind creative hub for all of Barco’s cinema technology. The deal also marks the first and only naming rights partnership for an entire movie theater complex.

Cinema Sound: JBL

Mon, 03/21/2016 - 12:56 -- Nick Dager

Movie theatres are getting bigger again and exhibitors have learned that audiences are willing to pay for the kind of immersive entertainment that simply can’t be duplicated in the typical home theatres. This trend has only increased the demand that the audio match, or even surpass, the quality of the images on the big screen. Cinema sound has never been bigger or more important. Understanding that, Digital Cinema Report reached out to key manufacturers to learn what developments in sound technology they’ll be highlighting when the exhibition industry gathers next month at CinemaCon 2016 in Las Vegas. In part four of this ongoing series, I spoke with Daniel Saenz, cinema solutions manager, Harman Professional Solutions to get his perspective.

Shooting Widescreen

Mon, 03/21/2016 - 12:38 -- Nick Dager

Cinematographer Adam Stone and director Jeff Nichols have been close collaborators since film school and share the same sensibilities, particularly with their preference for the anamorphic format. “Not knowing any better, we shot our first low-budget indie, Shotgun Stories (2007), in widescreen,” Stone said. “That film did better than expected, and we attributed some of its success to the format—widescreen added a weight and elegant stateliness to the story.”

Cinema Sound: Christie Digital Systems

Fri, 03/18/2016 - 10:49 -- Nick Dager

Movie theatres are getting bigger again and exhibitors have learned that audiences are willing to pay for the kind of immersive entertainment that simply can’t be duplicated in the typical home theatre. This trend has only increased the demand that the audio match, or even surpass, the quality of the images on the big screen. Cinema sound has never been bigger or more important. Understanding that, Digital Cinema Report reached out to key manufacturers to learn what developments in sound technology they’ll be highlighting when the exhibition industry gathers next month at CinemaCon 2016 in Las Vegas. In part three of this ongoing series, I spoke with Patrick Artiaga, director, business development, audio solutions, Christie Digital Systems to get his perspective.

FuseFX Takes a Turn for the Best

Fri, 03/18/2016 - 10:40 -- Nick Dager

AMC’s critically acclaimed Revolutionary War drama Turn: Washington’s Spies transports viewers back to the cities, villages, plantations and battlefields of colonial America. Ensuring that all those locations, their buildings and geographic features are historically accurate, that the ships, flags and musket shots are correctly represented, is the result of careful research and clever work on the part of the show’s production team and visual effects artists from FuseFX.

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Cinema Sound: Barco

Thu, 03/17/2016 - 11:58 -- Nick Dager

Movie theatres are getting bigger again and exhibitors have learned that audiences are willing to pay for the kind of immersive entertainment that simply can’t be duplicated in the typical home theatre. This trend has only increased the demand that the audio match, or even surpass the quality of the images on the big screen. Cinema sound has never been bigger or more important. Understanding that, Digital Cinema Report reached out to key manufacturers to learn what developments in sound technology they’ll be highlighting when the exhibition industry gathers next month at CinemaCon 2016 in Las Vegas. In part two of this ongoing series, I spoke with Brian Claypool, senior director strategic business development, digital cinema, Barco to get his perspective.

Cinema Sound: Dolby Laboratories

Wed, 03/16/2016 - 15:39 -- Nick Dager

Movie theatres are getting bigger and exhibitors have learned that audiences are willing to pay for the kind of immersive entertainment that simply can’t be duplicated in the typical home theatre. This trend has only increased the demand that the audio match, or even surpass the quality of the images on the big screen. Cinema sound has never been bigger or more important. Understanding that, Digital Cinema Report reached out to key manufacturers to learn what developments in sound technology they’ll be highlighting when the exhibition industry gathers next month at CinemaCon 2016 in Las Vegas. In part one of this ongoing series, I spoke via email with Jed Harmsen, senior director, cinema products, Dolby Laboratories to get his perspective.

Kiwii Delivers Tini Dailies with WCPApp

Tue, 03/15/2016 - 16:08 -- Nick Dager

Italian/UK digital media workflow specialist Kiwii Digital Solutions recently managed the production dailies of the new movie Tini: The Big Change in Violetta using the WCPApp from WCPMedia Services. The cloud-based platform made it possible to deliver dailies and other media from the film’s set in Italy to its editorial team in Spain virtually instantaneously, saving significant time and costs.

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