Production & Post-Production

Sony Launches FX6 Full-Frame Camera, Expands Cinema Line

Tue, 11/17/2020 - 11:25 -- Nick Dager

Sony Electronics today officially announced the FX6 model ILME-FX6V camera, the latest addition to Sony’s cinema line, which also includes the Venice and FX9 cameras. This newest camera delivers a coveted filmic look cultivated from extensive experience in digital cinema production, as well as enhanced operability thanks to an innovative body design, extensive durability and intuitive customizability

First Virtually Produced Feature Underway

Tue, 11/17/2020 - 09:14 -- Nick Dager

Signs of life for the movie industry have just been spotted on Mars. A group of veteran Hollywood filmmakers have announced plans for Gods of Mars, a feature-length sci-fi epic, to be produced through a blend of revolutionary virtual production technology and special effects techniques from the original Star Wars era. Providing a possible blueprint for filmmaking’s future, the hybrid technique allows productions to move quickly, and at a fraction of the cost of today’s $200-plus million studio blockbusters.

One World: Together at Home to Receive HPA Judges Award

Tue, 11/17/2020 - 09:03 -- Nick Dager

The Hollywood Professional Association Awards Committee has announced that its prestigious Judges Award for Creativity and Innovation will honor One World: Together at Home, a globally televised and streamed special produced remotely, last April by international advocacy organization Global Citizen and the World Health Organization in support of the COVID-19 Solidarity Response Fund, powered by the UN Foundation.

P-Valley Posts in New York City

Tue, 11/17/2020 - 08:57 -- Nick Dager

Editorial and post-production finishing for the eight-episode, first season of the hit Starz series P-Valley was centered in New York as several Post New York Alliance member companies helped bring the fictional small town of Chucalissa, Mississippi vibrantly to life. New York City facilities Goldcrest Post, Harbor and Technicolor PostWorks each played a role in the project, as did Foley specialist Alchemy Post Sound and VFX studio The Molecule.

Pacific Post Releases Remote Editorial Collaboration Platform

Mon, 11/16/2020 - 09:06 -- Nick Dager

Pacific Post in Los Angeles has released the remote collaboration platform PacPost.live. Originally built as an internal solution to immediately address the demands for remote work in March due to pandemic lockdowns, Pacific Post has added features to make PacPost.live a robust live streaming solution, and is now offering it to the broader industry.

Why Subtitles Matter

Sun, 11/15/2020 - 12:05 -- Nick Dager

With the growth of Netflix, Disney+, Amazon Prime and Apple TV, to name just a few, the international audience for film and television has never been bigger or more diverse. And the need for accurate and coherent subtitles – both for artistic and economic reasons – has never been more important. For two decades Dr. Vasilis Manousakis, the Literature, Literary and Audiovisual Translation instructor at Hellenic American College in Athens, Greece, has been subtitling and translating a broad range of genres, series and films produced by HBO, Disney, Universal Pictures, Warner Bros. and Netflix, among them Lost, The Good Place, Star Wars and Game of Thrones.

Scales Now in Cinemas Across Saudi Arabia

Thu, 11/12/2020 - 08:56 -- Nick Dager

After achieving critical acclaim during an award-winning tour of global film festivals, Image Nation Abu Dhabi’s feature film Scales (Sayidat Al Bahr) will be screening in cinemas in Saudi Arabia this week, after it was picked up by Saudi distributor Cinewaves Films. Viewers will be able to experience the debut film from Saudi Arabian writer-director Shahad Ameen in cinemas across Riyadh, Jeddah, Tabuk, Jizan and the Eastern Province in its first theatrical release.

Sometimes Size Really Does Matter

Wed, 11/11/2020 - 10:19 -- Nick Dager

When Gene Martin, owner of Audio Department and Sound Guy Solutions, was presented with a technical nightmare for a commercial client in the early days of COVID, his sound mixer gears started turning. With scenes being shot in separate areas around the U.S., Martin had to juggle as many as 10 different drop kit audio packages at a time. As he was on-location with the main crew in California, he also had to account for remote workflows as well as social distancing protocols.

Pages

Subscribe to Production & Post-Production