FireFly Cinema’s FireDay digital dailies management application is available for just $249 a year instead of the usual $999, now through October 21.
EditFest, the day long celebration of the art and craft of editing, returns to the Frank Wells Theater at Walt Disney Studios August 12. Presented by American Cinema Editors, EditFest 2017 presents top-level film and television editors sharing their experiences and insights. Featuring panels, clips, and conversation, EditFest offers a unique opportunity for attendees to engage with panelists and colleagues throughout the day and during a lively post-event reception.
Hare Krishna! The Mantra, The Movement and the Swami Who Started It All is a documentary film on the life of Srila Prabhupada—the 70-year-old Indian Swami who arrived in America without support or money in the turbulent 1960s and ignited a worldwide spiritual phenomenon with only his unflinching determination and faith. The film posted at AlphaDogs in Burbank. As with most historical documentaries, the biggest hurdle the team had to overcome were the technical challenges inherent in working with multiple source formats.
For Nissan’s Return of the Snowman spot, visual effects specialists The Embassy in Vancouver banded together with post house Alter Ego in Toronto. The Embassy is well known for its photo-realistic, hard surface VFX work, from creating the digital Iron Man suits for all three films to building massive drop ship hangers for The Hunger Games trilogy. Having worked on countless commercials with Alter Ego, The Embassy made the decision to become part of the creative process for grading, to improve the efficiency and precision of their VFX work and present a consistent preview to their clients.
AlphaDogs has completed work on the documentary film John Lewis: Get In The Way, which tells the story of the courageous civil rights hero, congressional leader and human rights champion, whose unwavering fight for justice spans the past 50 years. In order for the documentary to air on PBS, Bill Woolery, offline editor, had the task of cutting the film down to 54 minutes, taking six minutes out of the original cut and handing off the cut down to AlphaDogs for finishing.
Bent is the latest motion picture production to move its media management to the WCPMedia cloud.
Burbank, California post house Roundabout has purchased a Quantel Rio 4K online editing, color and finishing tool from SAM for editorial and restoration work on multiple films.
Veteran editor, visual effects artist and creative director Craig Price has joined Roundabout Entertainment. Price will serve as a finishing editor in the facility’s growing digital intermediate department. In his first project with Roundabout, Price performed final editing for director Tommy Bertelsen’s indie thriller Feed. He also designed and executed the film’s main title sequence. Upcoming work includes a project for director Terrence Mallick.
MTI Film has completed a major expansion of its Hollywood facility designed to accommodate growing demand for post-production services and support for high dynamic range content. The expansion includes the addition of two new color-grading suites and an editorial finishing suite, all HDR capable.
Writer-director Nicolas Pesce’s debut feature, The Eyes of My Mother was finished at Technicolor PostWorks New York. The film is packed with heart-pounding moments, made all the more chilling by an artfully crafted black and white look captured by cinematographer Zach Kuperstein (also making his feature debut) and finished by colorist Sam Daley