Soundbreaking: Stories from the Cutting Edge of Recorded Music provides a fascinating portrait of the melding of art and technology in the development of popular music. The eight-part PBS documentary finished at Technicolor PostWorks New York. Produced by Show of Force and directed by Maro Chermayeff and Jeff Dupre, the series reaches back to the 1920s, when music was first committed to vinyl, but focuses in particular on the period from the 1960s to the present and the revolution that was set in motion by the late Sir George Martin and the Beatles through their innovative use of multi-tracking.
The post-production team for the Canadian family drama series Backstage is again relying Facilis TerraBlock for their collaborative editorial workflow for its second season. Ellen Fine, CCE (Canada Cinema Editor) is the supervising editor and consulting producer on Backstage. The series is produced by Fresh TV and distributed by DHX. It currently airs on the Family Channel in Canada and on the Disney Channel in the US and worldwide.
Archion Technologies has announced that its Omni and Omni Hybrid network-attached storage systems – designed for 4K workflows in post-production, finishing, graphics, visual effects, and other types of video media – have been certified for use with Blackmagic Design’s DaVinci Resolve and DaVinci Resolve Studio.
The Colonie recently teamed with Burrell Communications to provide editorial, VFX and design services for I Do, a commercial introducing the 2017 Toyota Corolla. The commercial opens with a young woman behind the wheel of her Toyota. She arrives at a city park and her friends help her yarn bomb the surroundings – from hand-knitted tree trunk covers to a slipcover for a loveseat and a garbage pail cozy in the likeness of whimsical character.
Cops began its 29th consecutive television season this year and its producer Langley Productions relies on Archion’s EditStor for asset management. Langley also produces the reality series Jail, now in its eighth season.
Defying the Nazis: The Sharps' War, the latest Ken Burns film, recounts the story of Unitarian minister Waitstill Sharp (voiced by Tom Hanks) and his wife Martha, who left the safety of their Wellesley, Massachusetts home and family to rescue hundreds of political dissidents and Jewish refugees fleeing the Nazis. Defying the Nazis will be shown at select theaters in New York and Los Angeles, with a special screening at the White House as part of the administration's discussion of the Syrian refugee crisis. The documentary won a special jury prize at the Amsterdam Film Festival in 2012. Editor Erik Angra will be hosting a Q&A session for the film on September 10 at LA's Laemmle Theater.
Pixel Underground has been providing post-production services to Canadian television producer Peace Point Entertainment Group for more than 15 years, but their latest project together, the food series Inspired with Anna Olson, broke new ground for both companies. Inspired with Anna Olson is Peace Point’s first television series produced in 4K UHD.
Canadian media and content company Corus has purchased a turnkey Quantel Rio 4K editing, color, and finishing system with a Neo control panel, enabling the company to build a 4K HDR post-production workflow into its operations. This is the fifth Quantel Rio system purchased by Corus, and its first in a 4K configuration.
The Colonie provided editorial, FX and finishing services for a pair of public service advertisements for the American Academy of Dermatology. The :60 spots feature sharply contrasting storylines and approaches to educating two high-risk demographics about the dangers of sun exposure and skin cancer. Looking Good targets men over 50 using a comedic scenario to communicate a strategy for early detection, while Arms tailors its message about prevention to young women between 14 and 18, using a touching story to educate them about the risks of tanning.
Post work for director Rebecca Miller’s new romantic comedy Maggie’s Plan, currently in wide release from Sony Pictures Classics, was a labor of love for Technicolor PostWorks New York. A long-time supporter of independent film, the facility furnished suites and systems to picture editor Sabine Hoffman and her crew. It also provided resources for dailies processing, editorial finishing, color grading, sound mixing and deliverables. The project involved months of concentrated effort, spanning pre-production through the film’s world premiere at the Toronto International Film Festival.