Forbidden Technologies has announced a partnership with Toronto post-production house Triangle Post. Triangle Post has incorporated Forbidden’s Forscene technology into its post-production services business, making it the first company in Canada to do so.
London-based production company Studio Lambert is using Forbidden Technologies’ Forscene for the quick-turn production of Channel 4's Gogglebox. Part of all3media, which is the U.K.'s largest independent television, film, and digital production and distribution company, Studio Lambert uses Forscene to search and select clips from the rushes while editing is in progress on the observational documentary.
Airbag Productions, in Melbourne used Frankie for both interactive and independent reviews during the creation of a commercial for Vauxhall Insignia, which features creative CG images of metallic birds, bulls and dolphins that morph into each other and the car.
Los Angeles-based Juan Ignacio Cabrera recently handled the post-production for the second and third seasons of Chosen, the most successful show on Sony's Crackle TV network.
When planning the post-production phase for her film Movie Night, Anne McCarthy turned to Burbank-based AlphaDogs, having worked with them previously. “I now use AlphaDogs exclusively after they were able to fix a problem I had on a past project in just 24 hours. I knew my film would be in good hands and would not have risked taking it anywhere else,” said McCarthy.
SGO has released version 2.0 of Mamba FX, which gives compositors new toolsets that extend the existing SGO product line and draw on Mistika's compositing and image quality technology. The company says the update also adds several innovative features and functionality.
DiaQuest Products announced today that ProductionLink for Adobe Premiere Pro and ProductionLink for Adobe After Effects plug-ins are compatible with Adobe Creative Cloud 2014 and are available through a new Adobe Marketplace Web site, creative.adobe.com/addons.
Super Star Power Productions in Los Angeles is a combination post-production facility and theater that offers a seamless 4K pipeline from review of uncompressed 4K image files taken directly from 4K cameras, through color grading at 4K, to a Qube XP-I server and Xi IMB and projected via Barco's new DP4K-P post-production projector. Hollywood producers and directors of feature films will now be able to review 4K images, color grade at 4K in real time and generate 4K digital cinema packages for final quality control, all from a single 4K projector in a home-like setting.
Cospective has introduced new pricing plans for its Frankie video review-and-approval system, starting at just $49 per month. Frankie has also added new features and doubled quotas for our existing customers worldwide. With three levels of service, Frankie now caters to everyone from individual freelancers to the largest studios.
The $4 million Wonders of the Arctic 3D natural world epic marks Science North's fifth IMAX production in conjunction with Lickley and Chicago’s Giant Screen Films. The 42-minute film, which focuses on the effects of climate change to the Arctic environment and the impact on humans and animals, such as the resilient Inuit peoples and Polar bears that reside there, has been distributed in more than 100 theatres around the world.