Cognition, the recently launched hybrid post-production facility, has purchased six Mistika systems from SGO. The package includes two top-end 4K color grading and mastering systems, two assist workstations and two laptop systems for on-set and near-set use. The company has also acquired an SGO high-speed SAN. The installation is part of a multi-million dollar facility expansion that will include a pair of DCI grading theaters, expanded visual effects resources and creative production workspace.
Oxido, one of the leading post houses in Mexico, has invested in new Daylight on-set grading systems from FilmLight. The Daylight systems have been fitted into two data management vehicles that can be driven to studios or locations to provide digital dailies and start the grading process.
SmallHD is giving away a free set of color grades that recreate the unique look of seven different iconic films, and are also publishing multiple video tutorials explaining how to get the most out of these looks during both production and post-production.
In a project spanning many months and two continents, Modern VideoFilm provided final post-production services for Broken Horses, the new Western thriller from Indian producer/director Vidhu Vinod Chopra in his Hollywood debut. The Burbank-based facility provided editorial conforming, color grading, visual effects production and integration, DCP mastering and deliverables for the film, which makes its U.S. theatrical premiere this month from Reliance Entertainment.
Autodesk has announced that Flame Premium creative finishing software, Maya 3D animation software, Shotgun and RV, will support ACES 1.0, the Academy of Motion Picture Arts and Sciences' color management and interchange standards. Simultaneously, Autodesk unveiled plans to make its SynColor color management engine available as a reference implementation for future ACES adopters through a royalty-free, permissive license.
Codex has announced Codex Review Live, a new color management and look-creation system enabling set-to-post color confidence for feature and high-end episodic TV productions. Codex will demonstrate Codex Review Live during the National Association of Broadcasters show in Las Vegas April 13-16, at its new and larger booth at the front of Central Hall – located at #C1817 – as it continues to focus on more than simply recording for motion pictures and broadcast production.
The spellbinding visual account of how flying animals evolved into the familiar species we see today, became a reality in the stunning documentary series David Attenborough’s Conquest of the Skies. Attenborough said of the project, “The story of evolutionary flight is one I’ve always wanted to tell. It’s our most ambitious yet.”
Post-production finishing for the fifth and final season of Boardwalk Empire was completed last fall at Technicolor PostWorks New York. The HBO series, set in Atlantic City during the Prohibition Era, was one of the most acclaimed television dramas of the past decade, earning a total of 18 Emmy Awards over the course of its run, among many other accolades.
Wim Wenders' production company Neue Road Movies entrusted online artist Christian Tröger and SGO's Mistika at Arri Mitte to complete the post-production of Every Thing Will Be Fine.
New hit comedy series Med, currently airing on VRAK 2, outlines the amusing antics of an insolent youth, with his two inseparable friends and eccentric parents. Produced by KOTV (Alain Chicoine, Louis Morissette and Louis-Philippe Drolet) and directed by François Bégin, the program premièred on January 7th. “Med is Slik's very first TV project to benefit from Mistika's creativity and has been well received, with our client more than satisfied. In fact, the broadcaster is ecstatic,” colorist Mathieu Marano said.