CinemaNext has announced that it has equipped 25 screens in 13 cinemas across Germany with EclairColor technology. In conjunction with these installations, Ymagis Group’s content services arm, Eclair, has overseen the EclairColor mastering of the film The Lost City of Z, which opens in cinemas in Germany March 30. The film from critically acclaimed director James Gray is distributed by StudioCanal in both Germany and France.
Ymagis Group’s CinemaNext and Éclair will be showcasing EclairColor digital high dynamic range technology during CinemaCon at Caesars Palace March 27-30 in Las Vegas.
FireFly Cinema’s FirePost color grading application was used to produce the EclairColor mastered version of the Academy Award nominated film La La Land directed by Damien Chazelle.
Representatives from the European digital cinema technology and services company Ymagis Group returned to Hollywood last week to give private demos of their ÉclairColor process at the Harmony Gold theatre on Sunset Boulevard. Presenting side-by-side clips from last year’s release The Neon Demon, they showed high dynamic range images with high contrast, deep blacks, excellent highlight detail and vibrant colors.
International production and post group Umedia has opened a facility in Vancouver. The company has four other facilities around the world. The Vancouver office has installed a Baselight Two grading and finishing suite.
MTI Film has completed a major expansion of its Hollywood facility designed to accommodate growing demand for post-production services and support for high dynamic range content. The expansion includes the addition of two new color-grading suites and an editorial finishing suite, all HDR capable.
Director Jon Favreau’s The Jungle Book won this year’s Oscar for Best Visual Effects. A Walt Disney Picture, the movie is unique because the only live action character, the boy Mowgli, was shot on bluescreen while everything else was computer-generated. The visual effects team included key talent from Technicolor and its subsidiary, the Moving Picture Company. In part one of our five-part series, Adam Valdez, visual effects supervisor with MPC explains how teamwork, talent and a pursuit of excellence combined to create a movie that has been widely acclaimed for its artistic and technological accompaniments.
Writer-director Nicolas Pesce’s debut feature, The Eyes of My Mother was finished at Technicolor PostWorks New York. The film is packed with heart-pounding moments, made all the more chilling by an artfully crafted black and white look captured by cinematographer Zach Kuperstein (also making his feature debut) and finished by colorist Sam Daley
Veteran digital colorist Bryan McMahan has joined Roundabout Entertainment. A frequent collaborator of Terrence Malick, McMahan has colored six films for the director dating back to the 2005 release The New World and including Weightless, slated for release next year. He has also worked with directors William Friedkin (Killer Joe), Robert Towne (Ask the Dust), Gore Verbinski (The Ring) and John Woo (Face/Off).
Hula Post, Hollywood, has developed an all-in-one workstation for virtual reality content creation. The workstation features stitching, stabilization, editorial, visual effects, titling, color correction, finishing and playback. It is available for lease on a short-term or long-term basis, and comes with the same 24/7/365 technical support and service that Hula provides for editing systems, media storage and networking projects.