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Seydoux to Receive the Career Achievement in Exhibition Award at CinemaCon 2019

Wed, 03/06/2019 - 13:35 -- Nick Dager

Jérôme Seydoux, co-chairman and CEO of Pathé and chairman and CEO, Les Cinemas Pathe Gaumont, will receive this year’s Career Achievement in Exhibition Award, Mitch Neuhauser, managing director of CinemaCon announced today. CinemaCon, the official convention of the National Association of Theatre Owners, will be held April 1-4 at Caesars Palace in Las Vegas. Seydoux will be presented with this honor at the International Day Luncheon taking place on April 1.

Mixing Realism with Comic Surrealism

Tue, 03/05/2019 - 11:50 -- Nick Dager

Based on the acclaimed Dark Horse action noir graphic novel, Polar: Came From the Cold by Victor Santos, the Netflix feature film Polar was directed by Jonas Åkerlund (Lords of Chaos) and shot by cinematographer Pär M. Ekberg with Panasonic VariCam Pure cinema cameras. Born and raised in Sweden, Ekberg got his start as a still photographer at a young age and eventually transitioned into cinematography. He has shot features, commercials and music videos for established artists such as Beyoncé, Pink, Lady Gaga, Taylor Swift, Katy Perry and U2, and many others.

Éclair Launches ÉclairSend Professional File Transfer System

Tue, 02/26/2019 - 11:30 -- Nick Dager

Éclair today announced the launch of ÉclairSend, its new, pay-as-you-go online large file transfer and transcoding service developed with film and audiovisual industry professionals. The browser-based ÉclairSend platform enables producers, distributors, filmmakers, broadcasters and non-industry professionals anywhere in the world to easily manage their files and assets, convert videos and deliver any type of content, without size restriction.

Setting the Looks for Dailies on Alpha

Mon, 02/25/2019 - 12:54 -- Nick Dager

Christopher Ray, colorist at Picture Shop, joined director Albert Hugues’s epic adventure last year on Alpha, setting the looks on-set with FilmLight Daylight. His collaborative work with Technicolor senior colorist Maxine Gervais relied heavily on creativity and on the Daylight-Baselight Base Linked Grade exchange. Digital Cinema Report recently spoke with Ray about the experience.

Éclair Remasters First French Feature Film for Onyx Cinema LED Technology

Fri, 02/22/2019 - 10:00 -- Nick Dager

Éclair today announced the successful remastering of Antonin Baudry’s Le Chant du Loup, the first French feature film in 300 nits high dynamic range for Onyx Cinema LED screens. In addition to the Onyx Cinema LED version, Le Chant du Loup is available in ÉclairColor in 15 cinemas across France.

CGV Yongsan Upgrades Sound with Harman

Thu, 02/21/2019 - 09:11 -- Nick Dager

Kinoton Korea recently outfitted CGV Yongsan with an array of premium Harman Professional Solutions cinema audio technology to ensure immersive sound quality across all of the multiplex’s theaters. As South Korea’s largest cinema chain operator, CJ CGV has a long history of introducing revolutionary innovations in the cinema industry in its home country and abroad.

New Builds Key to Screen Growth, Study Says

Tue, 02/19/2019 - 11:33 -- Nick Dager

As acquisition and consolidation activity takes hold of the cinema exhibition sector, 31 percent of new screen growth still comes from building new cinemas and screens, according to new research from business information provider IHS Markit. In fact, when the record-breaking acquisition of 7,400 screens from Regal by Cineworld is not included in the total, that percentage share rises to 77 percent.

Motion Picture Sound Editors Present 66th Annual Golden Reel Awards

Tue, 02/19/2019 - 11:28 -- Nick Dager

The Motion Pictures Sound Editors presented the 66th MPSE Annual Golden Reel Awards at a black-tie ceremony at the Bonaventure Hotel in Los Angeles last Saturday night. Golden Reel Awards recognizing outstanding achievement in sound editing were presented in 23 categories encompassing feature films, long-form and short-form television, animation, documentaries, games, special venue and other media.

Fraser Turns to Cooke Lenses for Vice

Fri, 02/15/2019 - 11:43 -- Nick Dager

Over the 50 years chronicled in director Adam McKay’s Vice, cinematographer Greig Fraser had the challenges of photographing actors playing characters twice their age — with intense prosthetics, makeup and hair — while also making a potentially dull series of office-based scenes into a visually interesting story for audiences. To accomplish this feat, Fraser relied on Kodak 200T and 500T film and Cooke Optics’ Anamorphic/i prime lenses.

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