Doremi Cinema has announced a licensing agreement with International Datacasting Corporation for the integration of real-time streaming software into its line of SuperFlex Pro Cinema products. The pact also enables Doremi to embed Sensio Live 3D decoding technology into Doremi digital cinema servers for CineLive 3D AccessIT's newest solution for theatre owners. Doremi's software is integral to CineLive 3D. It will allow theatres to play live 3D alternative content to multiple screens simultaneously. Today's solutions require hardware for each screen that is to receive a broadcast event.
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Ballantyne of Omaha has reported financial results for the third quarter and nine months ended September 30th. Net third quarter revenues were $12.3 million a 2.4 percent decrease from net revenues of $12.6 million in Q3 2007 principally reflecting an expected decline in film-based products.
Support for independent storytelling has always been the driving force of Sundance Institute. This year the Institute is celebrating the 25th anniversary of the Sundance Film Festival by collecting anecdotes and memories from the people who know the most about what the Festival means. Only those who have been to the Sundance Film Festival can truly convey the true spirit of Sundance which is why the Institute is asking those who have been there to share their Sundance stories.
Xpand has reported that the animated 3D release Fly Me to the Moon from nWave Pictures has achieved unprecedented success on Xpand’s screens throughout Europe capturing an audience of approximately 73 000 during the film’s first five days of release. Sustaining the largest international market share of 3D screens spanning three continents Xpand predicts these numbers will grow substantially with Fly Me to the Moon’s current rating as the fourth most successful 3D film in 2008 based on audience numbers per screen. A delightful animated feature for the entire family the film embark
Q-tec Inc. one of Japan's leading video post-production service providers announced that it has completed the first domestic installation of 3D cinema system developed by digital 3D delivery company RealD. Q-tec plans to begin the full-scale operation this month. The number of digital 3D cinema screens in Japan was around 30 at the end of 2007 but there are currently more than 50 screens available as the United States film Journey to the Center of the Earth 3D was released in October. The number is projected to rise with the expectation of 3D films produced and released in Japan.
Chicago-based production equipment maker Zacuto has announced four new mounts including the Zephyr Zacuto's 15mm lightweight support plate; the ZRed an EVF Red One Mount; the Zandy a19mm to 15mm rod mount; and the Zgrip Zandy an articulating handgrip. Zephyr Replacing the Sony and Panasonic ENG style cameras’ V-Wedge plate the Zephyr allows a quick-release from the tripod plate.
Texas-based Premiere Cinema recently bought a cinema structure that is thanks to digital technology the first cineplex without a mezzanine while four of the fourteen theatres are 3D capable.
I missed this year’s ShowEast. I tore ligaments in my left foot in a volleyball game a few nights before the show began and was in no shape to navigate airports and trade show floors. However after going through a raft of press releases and talking to many people who were there I think it’s fair to say that I was not the only one who was feeling a measure of pain that week.
San Francisco’s California Academy of Sciences Opens its Doors to 3D Following six years of meticulous planning design consulting and ‘green’ engineering in collaboration with British system integrator Visual Acuity the new California Academy of Sciences in San Francisco has opened its doors to the public. The new facility at the Academy includes what is believed to be the first fully digital DCI compliant 3D cinema within a science institution.
Bringing the Comic Book Classic to Life By Dyan James When Intelligent Creatures moved to a larger Toronto Ontario-based facility in October 2007 the growing visual effects house now had the physical capacity to accommodate their increasing need for more data storage. The move coupled with the undertaking of The Watchmen—their largest project to date—prompted the company to turn to Isilon IQ clustered storage to power its post-production workflow including 2D compositing and 3D animation on the film which is currently in production.
16x9 has introduced the EX 0.75 Aspheric Wide Converter – the first wide converter to bring the benefits of aspheric technology to DV and HDV cameras The optical solution for getting wider angle images from Sony’s popular new PMW-EX1 and EX3 camcorders the EX 0.75X provides a 25 percent greater angle of view while maintaining full zoom capability. The EX 0.75’s design employs an aspheric lens element to more effectively reduce geometric distortion and chromatic aberrations and improve off-axis wide angle performance.
Access Integrated Technologies provider of integrated solutions for digital cinema announced that Lionsgate will provide movies to digital cinema equipped theatres in the Phase 2 digital cinema program and will pay virtual print fees under a long-term agreement. This agreement follows a May 8th announcement of a similar agreement between Lionsgate and AccessIT for AccessIT’s Phase 1 Digital Cinema Deployment Plan.
The 29th American Film Market is set to screen 513 motion pictures in 35 languages including 102 world premieres and 375 market premieres during its annual event scheduled for November 5-12 at the Loews Santa Monica Beach Hotel and Le Merigot Beach Hotel in Santa Monica.
Cinecolor Chile and Cinecolor Mexico have successfully met Kodak ImageCare Program requirements for the camera negative processing aspects of their operations. The addition of these two laboratories takes the worldwide program membership to 47 in 27 countries and a total of five facilities for the Cinecolor group. Cinecolor Chile is the first laboratory in that country to attain these standards. The aim of the ImageCare Program was so clear that our board of directors understood its benefits immediately says Juan Carlos Arriagada project manager for Cinecolor Chile.
Cooke Optics has announced that its /i Technology will be available on all Red One cameras. Jarred Land fire chief at Red announced on the Red Web site that all new Red One cameras would come with /i pins installed and fully functional beginning that day. Cooke’s /i “Intelligent” Technology enables PL-mounted film and digital cameras to automatically record key lens and camera data for every film frame using /i equipped lenses which can then be provided digitally to post-production teams.
Digital Cinema Initiatives announced that it has signed licensing agreements for compliance testing with technology and development consulting firm CineCert in the United States DMC/Keio University in Japan and Media Innovation Center in Italy. These entities will perform testing to determine whether manufactured digital cinema equipment and products are compliant with DCI’s Digital Cinema System Specification.
Dickinson Theatres has become the first theatre chain to commit to the previously announced Phase 2 Digital Cinema Deployment Plan from Access Integrated Technologies. Under the terms of the agreement Dickinson will convert 310 screens in 24 multiplexes across eight states including a concentration of 84 screens in eight locations in the greater Kansas City metropolitan area. The first eight screens to be included have been installed in Little Rock Arkansas at the Chenal theatre.
Panavision has announced an agreement with Abel Cine Tech and Vision Research for the acquisition of Phantom HD high-speed digital cameras. The contract means that the Phantom HD cameras and custom accessories will be available for rent in a complete system package with Panavision optics including anamorphic lenses.
The Society of Motion Picture and Television Engineers is forming a technology committee to standardize mastering and packaging formats for content distributed over broadband networks. Such a broadband standard could fuel fresh business models by enabling consumers to purchase entertainment from any online destination and play it back on any device. The committee’s launch highlights SMPTE’s interest in addressing the challenges of delivering professional content—including movies television programming online programming and music—no matter the distribution platform.
Mac Guff one of France’s largest digital visual effects design studios is installing Exanet’s ExaStore Clustered NAS 2008 to ensure that its 3D animation video effects and post-production processes are supported at the highest performance levels available. “Mac Guff chose Exanet to provide its storage solution because ExaStore’s performance and reliability are unmatched in the media and entertainment industry ” says Jeronimo Munoz Exanet regional vice president Southern Europe.