Rising Sun Pictures delivered more than 100 visual effects shots for Columbia Pictures’ and Marvel Studios’ superhero epic Spider-Man: Far From Home, one of this year’s most anticipated blockbusters. The studio’s work included a memorable holographic sequence that reveals one of the film’s biggest mysteries: the origins of The Elementals, four monstrous creatures from a parallel universe with the ability to control fire, earth, water and wind.
Rising Sun Pictures
Continuing its association with 20th Century Fox’ acclaimed X-Men franchise, Rising Sun Pictures contributed nearly 150 visual effects shots to the latest film in the superhero saga, Dark Phoenix. RSP’s work on the film spanned nearly 18 months and involved close collaboration with director Simon Kinberg, VFX supervisor Phil Brennan and VFX producer Kurt Williams
Rising Sun Pictures, working in tandem with Weta Digital, the lead visual effects studio, created critical shots for two key sequences in the film, including a furious battle between soldiers from Earth and fearsome cyborg warriors known as Berserkers.
In a project spanning six months, Rising Sun Pictures produced 86 visual effects shots for Animal World, the new fantasy adventure film that debuted to considerable fanfare at this year’s Shanghai International Film Festival and is currently in international release. The work drew on the full gamut of the studio’s core strengths and included everything from a card-playing creature to a loopy dream sequence, a mind-blowing car chase and a moody hero shot of Destiny, the hulking freighter-turned-floating-casino that serves as the film’s primary location.
Australian visual effects studio Rising Sun Pictures produced more than 170 final visual effects shots for Thor: Ragnarok¸ the new film from Marvel Studios. Working under the supervision of director Taika Waititi, production visual effects supervisor Jake Morrison and production visual effects producer Cyndi Ochs, RSP’s team spent more than 18 months helping to craft some of the film’s most memorable, creative and technically challenging scenes. It was RSP’s first project for Marvel.
Responding to demand from aspiring visual effects artists from across Australia and beyond, Rising Sun Pictures is expanding its visual effects educational program, operated in partnership with the University of South Australia. RSP will now offer a Graduate Certificate in Dynamic Effects and Lighting, modeled after its successful Graduate Certificate in Composting and Tracking. It is also adding to its menu of short courses covering 3D modeling, compositing and other subjects.
Rising Sun Pictures has been nominated for Outstanding Compositing in a Photoreal Feature in the Visual Effects Society’s 15th Annual VES Awards. The nomination comes for the studio’s work on the Quicksilver Extraction sequence from the 20th Century Fox film X-Men: Apocalypse. Nominees include Alana Newell and compositors Jess Burnheim, Andy Peel and Matthew Shaw.
For the finale of season six of HBO’s smash hit Game of Thrones, Rising Sun Pictures faced a formidable challenge: replicate the sprawling city of King’s Landing and its central shrine, the Great Sept of Baelor, then burn them to the ground in a magical, green-hued inferno. New to the Game of Thrones production team, RSP created visual effects for several episodes of the show’s recently concluded season. Most of the work centered on King’s Landing and the Sept as artists produced photo-realistic CG environments, set extensions and architectural enhancements that were blended with location footage to create the luxurious, walled city overlooking the sea.
X-Men: Apocalypse, the latest entrant in Twentieth Century Fox’s popular superhero franchise, features more time-bending magic from Australia’s Rising Sun Pictures. The visual effects studio contributed to several key sequences in the film, most notably an electrifying scene where Quicksilver (Evan Peters) uses his hyper-speed ability to rescue students from an exploding mansion. Quicksilver’s Rescue builds on a notable scene from the preceding X-Men: Days of Future Past where the character races around a Pentagon cafeteria to prevent security guards from shooting a trio of X-Men. RSP’s impeccable work in making pots, pans, bullets and water drops freeze in mid-air helped the film earn an Academy Award nomination for Best Visual Effects.
Rising Sun Pictures visual effects supervisor Tim Crosbie is part of the team nominated for an Academy Award for Best Achievement in Visual Effects for the film X-Men: Days of Future Past. Crosbie supervised the team of RSP artists involved in creating the film’s exuberant Kitchen scene where time appears to stand still as the speedy Quicksilver darts about the Pentagon cafeteria to foil guards attacking a group of mutants. Also named in the nomination are Richard Stammers, Lou Pecora and Cameron Waldbauer.