The final roster of speakers has been set for the first Digital Cinema Summit. These top digital cinema technology authorities from around the world will address a range of issues facing professionals in all phases of the motion picture industry. The half-day event takes place February 6 at the Okura Hotel in Amsterdam the Netherlands. Nick Dager, Editor & Publisher of Digital Cinema Report created the Summit in conjunction with Integrated Systems Europe. The theme is Transforming the Moviegoing Experience; its purpose is to give digital cinema technology center stage.
High Dynamic Range
The New York facility of Eurofins Digital Media Services has been granted a Certification in Dolby Vision Quality Control Services. Eurofins is the first dedicated Dolby Vision quality assurance facility on the East Coast, meeting the growing demand for quality control and testing services in New York City.
In November, the Digital Cinema Initiative posted two new draft documents towards a high dynamic range specification for cinema titled Direct View Display D-Cinema Addendum and High Dynamic Range D-Cinema Addendum. They represent a major improvement over DCI’s previous draft, which I wrote about last September [DCI Has Lost Its Way https://bit.ly/2Omcnoa]. In contrast, the new documents are well written, detailed, explanatory and responsive. But questions remain and cost matters, leaving plenty of room for improvement.
FandangoNow, Fandango’s video on-demand service, will become the first U.S. digital retailer for IMAX Enhanced films releasing to home video. FandangoNow will have exclusive rights as the sole transactional VOD service to feature this content in the U.S. through 2019. The IMAX Enhanced program is a certification and licensing program, combining IMAX digitally re-mastered 4K high dynamic range content and DTS audio technologies.
Tahoe Cinemas plans to open 10 Dolby Cinema locations in China, the Beijing Tahoe Film and Culture Development Company and Dolby announced today.
Samsung India and Inox Leisure, one of India’s leading multiplex chains, today introduced Inox Onyx to Mumbai, ushering in the future of cinema to the land of Bollywood. Inox at Malad, Inorbit Mall will play host to Mumbai’s first Cinema LED Theatre.
Eurofins Digital Media Services, formerly My Eye Media, has opened an office in New York City’s Chelsea district. The company says it is the first facility in the greater New York area, dedicated solely to master quality control with a focus on 4K/UHD high dynamic range video and immersive audio formats.
Earlier this week Éclair and Samsung held a ribbon cutting ceremony to officially open Éclair’s Paris-Vanves Onyx Cinema LED facility, the first of its kind in Europe. Éclair can now provide professional services specifically tailored for the Onyx Cinema LED – contrast ratio of 1,000,000:1, color grading with true zero nit black, and ÉclairColor DCP mastering – to European filmmakers, producers and distributors.
One of Europe’s most famous cinemas, London’s Odeon Leicester Square, will reopen this Christmas following an 11 month, multi million pound deluxe refurbishment that has transformed what has been called the home of the premiere back into a global icon in the heart of London’s West End. The building’s largest screen has been fully upgraded to combine luxurious reclining Odeon Luxe seats with the captivating experience of Dolby Cinema.
Isaac Molina is a senior colorist based in Mexico City, where for the last nine years he has worked at leading post house Oxido. Molina has a rich tapestry of grading experience that includes TV commercials and, as the colorist and DI supervisor, with the grade of more than 30 feature films. More recently, he has worked as a colorist in the first Latin American high dynamic range TV series for Netflix. Digital Cinema Report recently spoke with Molina about his career, the art and craft of color grading and his work on The House of Flowers.