Sony has announced that, following the Version 4.0 firmware release this June for its Venice digital cinema camera, which includes a high frame rate license to support 120fps at 4K 2.39:1, 110fps at 4K 17:9, 75fps at 4K 4:3 and 60fps at 6K 3:2, Venice’s Version 5.0 update will further enable cinematographers to shoot at speeds of up to 90fps at 6K 2.39:1 and 72fps at 6K 17:9/1.85:1. This addition enables Venice to capture three times slow motion at 24p, even in 6K. Cinematographers can utilize the same camera across multiple speeds, maintaining the full-frame shallow depth of field, as well as the high picture quality of oversampling in 6K.
High Dynamic Range
Atomos Limited has introduced Neon, an all-new line-up of precision 4K HDR field monitor-recorders for on-set or in-studio production where reliable and trustworthy monitoring is essential. Neon comes in four screen sizes, 17-inch, 24-inch, 31-inch and 55-inch, ensuring that no matter the critical production usage, every crew member sees an accurate image representation so directors know with confidence that they have got the shot, that cinematographers ensure consistent exposure, focus pullers maintain the sharpness of an actor's eyes, and so editors and color graders can lock down the creative intent from shot to shot.
Kinopolis Gruppe today announced that it has opened Germany’s first Dolby Cinema at the renowned Mathäser Palast in Munich. In addition, the Dolby Cinema at Mathäser will have its own entrance as well as a lounge area for film fans to enjoy the refreshments and beverages that will be on offer in a VIP style lounge.
At the world premiere of the Avengers: Endgame on April 22 at the Los Angeles Convention Center. Premiere guests enjoyed a stunning presentation of the film in Dolby Vision and Dolby Atmos sound using QSC loudspeakers, amplifiers, and signal processing featuring Q-SYS in a custom-built movie theater.
Samsung and Harman have installed one of the world’s largest Onyx Cinema LED screens in India’s tech capital Bengaluru at the iconic Swagath Cinemas, which will now be rechristened Swagath Onyx Theatre. The screen measures 14 meters. Globally, there are only two other 14-meter Onyx Cinema LED screens installed to date, in Malaysia and China.
Distributor Neon has released The Beach Bum in Éclair Color high dynamic range at select Alamo Drafthouse Cinema locations across the United States. This marks the first title available in Éclair Color HDR across the U.S. The movie opened in Germany (Constantin Film) in Éclair Color in March and will open in France (Mars Films) in July.
A highlight of this year’s CinemaCon, which wrapped up Thursday, April 4, at Caesars Palace in Las Vegas, was the announcement of the formation of the Cinity Cinema System, a joint effort between the Huaxia Film Distribution Company, Christie Digital Systems and GDC Technology to “develop, leverage and promote premium format movies driven by new, advanced configurations.” The announcement follows several years of debate in Hollywood and around the world regarding the best way to move forward with critical technology issues including high dynamic range, high frame rate, wide color gamut and immersive sound. Those issues were widely discussed at CinemaCon and we will have more to say about the show in the coming days. But the Cinity Cinema System announcement stands out because it feels like a watershed event. The question now is this: is Hollywood still the center of the motion picture industry or is that center shifting to China?
Next week at CinemaCon, Dolby will highlight a year of global growth that shows no signs of slowing down and will also exhibit a full spectrum of innovative, technologies for cinema exhibition, including the new Dolby Cinema Processor CP950.
THX today announced that the world’s first THX Ultimate Cinema at Regency Westwood Village Theatre is scheduled to open later this year. THX company is working closely with Cinionic on the project.
Éclair today announced that it has completed a high dynamic range remastering of the Spanish version of Hans Petter Moland’s Cold Pursuit. It is the second feature film color graded and mastered at 300 nits for Onyx Cinema LED screens through its Éclair Color HDR technology.