Mixing Sound

AES, SMPTE to Explore the Sound of Philip K. Dick’s Electric Dreams

Fri, 01/19/2018 - 11:31 -- Nick Dager

The Los Angeles Section of the Audio Engineering Society and the Hollywood Section of the Society of Motion Picture and Television Engineers will host a joint meeting this month exploring sound editorial for Amazon’s new sci-fi anthology series Philip K. Dick’s Electric Dreams. The meeting is slated for Tuesday, January 30 at Sony Pictures Studios in Culver City, California.

Jumanji: A Cocktail of Sounds

Fri, 01/05/2018 - 12:14 -- Nick Dager

In Columbia Pictures’ Jumanji: Welcome to the Jungle, the game has changed as four teenagers are sucked into the world of Jumanji. Director Jake Kasdan has introduced many clever twists to the action-adventure, and that created plenty of opportunities for the film’s sound crew to get creative with sound. All sound services were completed at Sony Pictures Post Production Services.

FotoKem Creates Star Wars Workflow

Thu, 01/04/2018 - 11:46 -- Nick Dager

FotoKem was the facility of choice for providing comprehensive creative and technical services from pre-production through final deliverables on the critically acclaimed Star Wars: The Last Jedi from Disney/Lucasfilm. The facility built technically advanced solutions that supported the creative team through their interplanetary production from dailies to color grade.

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Learning the Importance of Post

Mon, 12/04/2017 - 14:15 -- Nick Dager

Making a film for the first time is a challenge enough in itself, but post-production can sometimes be even more daunting. Aspiring filmmaker Michael Thibault said, “Strangely, all the things we were warned about – actors, scheduling, permits, etc – weren’t a problem at all. But when it came to post-production, it was a complete nightmare until we brought the show to AlphaDogs. We tried to get by cheap and skip using a professional post house, only to find out these freelance colorists and audio mixers have no clue as to what they are doing.”

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Creating Blade Runner 2049's Sound

Mon, 11/20/2017 - 09:39 -- Pro Sound Effects

The sound of Blade Runner 2049 is striking. Even non-soundfolk are likely to recognize the crucial role it plays throughout the expansive follow-up to Ridley Scott’s 1982 sci-fi cult classic. Artfully sweeping from immersive to hyper-focused to nearly silent, the film’s stellar sound propels the viewer through a dystopian world feeling at once futuristic yet jarringly human. Leading the sound team was supervising sound editor Mark Mangini: winner of the 2016 Best Sound Editing Academy Award for Mad Max: Fury Road, and renowned audio post veteran with over 100 film credits across several decades.

MPSE to Honor John Paul Fasal with Career Achievement Award

Mon, 11/13/2017 - 13:05 -- Nick Dager

The Motion Picture Sound Editors announced today that it will present sound designer and sound recordist John Paul Fasal with its 2018 MPSE Career Achievement Award. A 30-year veteran of the sound industry, Fasal has contributed to more than 150 motion pictures and is best known for his groundbreaking work in field recording. Among his many credits are Top Gun, Master and Commander: The Far Side of the World, Interstellar, The Dark Knight, American Sniper and this year’s box office hit Dunkirk. Fasal will receive his award at the MPSE Golden Reel Awards ceremony, February 18, 2018 in Los Angeles.

Doc Asks: Are We Alone?

Tue, 10/10/2017 - 12:56 -- Nick Dager

Are we alone in the universe is a question that human beings have pondered likely since the dawn of time. The new documentary film ET Contact: They Are Here documents the jaw-dropping stories of individuals from around the world who share similar accounts of extraterrestrial otherworldly encounters. Written, directed and produced by Caroline Cory, the film takes viewers on an extraordinary journey to uncover whether these seemingly independent yet parallel reports may actually be scientific evidence of a greater phenomenon at work.

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