New York independent sound studio Sound Lounge has introduced its Sound Lounge Everywhere concept to Colorado. The company has partnered with Boulder post-production company 11 Dollar Bill to offer remote audio production and mixing service to agencies and brands in the region and beyond.
UK-based Colin Nicolson has worked as a production sound mixer and recordist since the eighties, first in television and documentaries then increasingly in motion pictures, over recent years racking up credits including Murder on the Orient Express, T2 Trainspotting and The Theory of Everything. He’s now working on Walt Disney Pictures’ Artemis Fowl, which is currently in production.
Award-winning supervising sound editor and re-recording mixer Will Files has joined Sony Pictures Post Production Services. Files, who spent a decade at Skywalker Sound, brings credits on more than 80 feature films, including Passengers, Deadpool, Star Wars: The Force Awakens and Fantastic Four. Files won a 2018 MPSE Golden Reel Award for his work on War for the Planet of the Apes. His current project is the upcoming Columbia Pictures release Venom out in U.S. theaters October 5.
Philip K. Dick’s Electric Dreams, the anthology series produced by Sony Pictures Television in a joint venture with Channel 4 in the U.K. and Amazon Studios in the U.S., draws on the late science fiction writer’s voluminous short fiction for its stories of alternate realities, future worlds and paradoxical situations. The show’s first season is a feast for the imagination, consisting of 10 stand-alone, one-hour episodes, each based on a different Philip K. Dick short story and each with a different cast, director and writer. Split between England and the United States, production of Philip K. Dick’s Electric Dreams was logistically and creatively challenging.
London’s world famous Abbey Road Studios has added DTS:X mixing tools to its mix stage facility. The installation is fully operational and available for professional content creators to mix both feature films and music.
H. Loren Nielsen has joined Xperi Corporation as vice president, content relations and strategy. Nielsen will serve as the studio liaison for DTS:X object-based immersive sound technology from DTS, a wholly owned Xperi subsidiary.
The Los Angeles Section of the Audio Engineering Society and the Hollywood Section of the Society of Motion Picture and Television Engineers will host a joint meeting this month exploring sound editorial for Amazon’s new sci-fi anthology series Philip K. Dick’s Electric Dreams. The meeting is slated for Tuesday, January 30 at Sony Pictures Studios in Culver City, California.
In Columbia Pictures’ Jumanji: Welcome to the Jungle, the game has changed as four teenagers are sucked into the world of Jumanji. Director Jake Kasdan has introduced many clever twists to the action-adventure, and that created plenty of opportunities for the film’s sound crew to get creative with sound. All sound services were completed at Sony Pictures Post Production Services.
FotoKem was the facility of choice for providing comprehensive creative and technical services from pre-production through final deliverables on the critically acclaimed Star Wars: The Last Jedi from Disney/Lucasfilm. The facility built technically advanced solutions that supported the creative team through their interplanetary production from dailies to color grade.
Making a film for the first time is a challenge enough in itself, but post-production can sometimes be even more daunting. Aspiring filmmaker Michael Thibault said, “Strangely, all the things we were warned about – actors, scheduling, permits, etc – weren’t a problem at all. But when it came to post-production, it was a complete nightmare until we brought the show to AlphaDogs. We tried to get by cheap and skip using a professional post house, only to find out these freelance colorists and audio mixers have no clue as to what they are doing.”