Editing

Producing with an Eye to the Future

Fri, 09/02/2016 - 11:26 -- Nick Dager

Pixel Underground has been providing post-production services to Canadian television producer Peace Point Entertainment Group for more than 15 years, but their latest project together, the food series Inspired with Anna Olson, broke new ground for both companies. Inspired with Anna Olson is Peace Point’s first television series produced in 4K UHD.

Campaign Highlights Skin Cancer Risks

Thu, 06/23/2016 - 11:05 -- Nick Dager

The Colonie provided editorial, FX and finishing services for a pair of public service advertisements for the American Academy of Dermatology. The :60 spots feature sharply contrasting storylines and approaches to educating two high-risk demographics about the dangers of sun exposure and skin cancer. Looking Good targets men over 50 using a comedic scenario to communicate a strategy for early detection, while Arms tailors its message about prevention to young women between 14 and 18, using a touching story to educate them about the risks of tanning.

Crafting a Classic New York Romance

Fri, 06/03/2016 - 11:43 -- Nick Dager

Post work for director Rebecca Miller’s new romantic comedy Maggie’s Plan, currently in wide release from Sony Pictures Classics, was a labor of love for Technicolor PostWorks New York. A long-time supporter of independent film, the facility furnished suites and systems to picture editor Sabine Hoffman and her crew. It also provided resources for dailies processing, editorial finishing, color grading, sound mixing and deliverables. The project involved months of concentrated effort, spanning pre-production through the film’s world premiere at the Toronto International Film Festival.

Hula Post Supports The Jungle Book

Mon, 04/25/2016 - 15:23 -- Nick Dager

In a project spanning nearly two years, Hula Post provided editorial systems, workflow engineering and technical support to Walt Disney Pictures for the production of The Jungle Book. Hula Post engineers set up and maintained editorial facilities at the studio’s production facility in Playa Vista; at Digital Domain, where motion capture elements were produced; and at Los Angeles Center Studios, where live action elements were captured. Additionally, it supported satellite-editing facilities at Sony Pictures Studios and Skywalker Sound, where sound work was completed.

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