Featured Stories

Cutting Edge Turns Out Powers VFX

Tue, 12/22/2015 - 11:45 -- Nick Dager

Since 1992, Cutting Edge has built a string of studios that employs over 150 artists and reaches from Brisbane to Sydney. Like most professional shops they can do it all: films (Predestination, The Age of Adaline); commercials and TV series, including Powers, PlayStation Network’s first scripted show that’s based on Marvel’s beloved graphic novel series. What they couldn’t do was run all render requests off a single dispatcher, and the minutes kept adding up.

Ridley Scott to Receive ASC Board of Governors Award

Tue, 12/22/2015 - 11:37 -- Nick Dager

The American Society of Cinematographers will honor the extraordinary achievements of director-producer Ridley Scott in advancing the art and craft of filmmaking by bestowing him with the organization’s annual Board of Governors Award. The presentation will be made during the 30th ASC Awards for Outstanding Achievement on February 14, 2016, at the Hyatt Regency Century Plaza.

Panavision, Light Iron Unveil Joint New Orleans Facility

Thu, 12/17/2015 - 13:50 -- Nick Dager

Panavision has announced the opening of an expanded New Orleans location. The new 30,500-square-foot space will also house Light Iron’s first brick-and-mortar facility in Louisiana. The facility represents the first location occupied by the two companies since Panavision acquired Light Iron earlier this year.

In Sound, Size Does Matter

Thu, 12/17/2015 - 12:32 -- Perry Robertson

The obvious difference between sound for the big screen, the small screen, and now, the tiny screen, may not seem that different. In many ways they are not. As sound designers and editors, we want the viewer to experience every gunshot and explosion as well as every word, whether listening in a theater, at home on a TV, or earbuds on the subway. Sound for the big screen on a movie like Trumbo means you can use 5, 7 or in the case of Dolby Atmos, unlimited channels, for panning. We also have a large dynamic range because of the room size and speaker size. This, in many ways, is the easiest for those of us creating the sound tracks.

Christie Brings Magic to Star Wars Premiere

Thu, 12/17/2015 - 12:18 -- Nick Dager

Christie provided guests attending the world premiere of Star Wars: The Force Awakens with truly spectacular red carpet displays. “Disney and Christie have been sharing projection and display ideas and innovations for several years now to provide audiences with unparalleled moviegoing experiences,” said Michael Kern, Disney’s vice president, special events production and technical services, “so there was no question regarding who we would enlist to provide spectacular red carpet displays to make this a special night for everyone attending.”

Oblique FX Delivers for Sicario

Thu, 12/17/2015 - 11:55 -- Nick Dager

Oblique FX created 123 visual effects shots for Sicario, the latest film from director Denis Villeneuve. Sicario tells the story of a young FBI agent (Emily Blunt) thrown into the violent and lawless world of the drug trade across the U.S.-Mexico border. A gritty, realistic drama, the story required subtle effects work to blend seamlessly with the cinematography of Roger Deakins.

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Laika Celebrates a Decade of Animation

Tue, 12/15/2015 - 12:12 -- Nick Dager

Laika, the award-winning animation studio nestled in the heart of the Pacific Northwest, celebrates 10 years of bold and memorable filmmaking this month. For a company whose name means “little barker” in Russian, Portland, Oregon-based Laika has made quite a noise in the global film industry over a relatively short time. With its world-class filmmaking team, Laika pushes the boundaries of family entertainment and animated movies, redefining what stories can and should be told through the art form.

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