Production & Post-Production

Polly Morgan Creates a Raw Look for 6 Balloons

Fri, 05/18/2018 - 13:44 -- Nick Dager

While trying to keep her boyfriend’s surprise birthday party on track, Katie’s day takes a drastic detour after picking her brother, Seth, and his daughter up. Realizing Seth has relapsed in his heroin addiction, Katie drives him around town trying to find a detox center that will admit him. 6 Balloons was written and directed by Marja-Lewis Ryan and shot by cinematographer Polly Morgan, BSC (Spinning Man, The Intervention) with VariCam 35 cameras. The Netflix feature film, which stars Abbi Jacobsen and Dave Franco, had its premiere at this year’s South by Southwest film festival in March and began streaming on Netflix in April.

IBC, TM Forum Announce Open Innovation Collaboration

Tue, 05/15/2018 - 11:48 -- Nick Dager

Influential European trade organization IBC and TM Forum, the digital business trade association today jointly announced a new collaboration to drive open innovation between the telecoms and media industries. The collaboration will include a focus on developing multi-company, rapid proof-of-concept projects to be showcased at each other’s flagship events and a range of joint marketing and content sharing activities.

Creating Continuity in Dreams

Mon, 05/14/2018 - 11:44 -- Nick Dager

Philip K. Dick’s Electric Dreams, the anthology series produced by Sony Pictures Television in a joint venture with Channel 4 in the U.K. and Amazon Studios in the U.S., draws on the late science fiction writer’s voluminous short fiction for its stories of alternate realities, future worlds and paradoxical situations. The show’s first season is a feast for the imagination, consisting of 10 stand-alone, one-hour episodes, each based on a different Philip K. Dick short story and each with a different cast, director and writer. Split between England and the United States, production of Philip K. Dick’s Electric Dreams was logistically and creatively challenging.

Streamlined Workflow Helped Complete Donbass

Thu, 05/10/2018 - 11:21 -- Nick Dager

Donbass, a new movie by Ukrainian writer/director Sergei Loznitsa, is to be shown as a work-in-progress version at the 2018 Cannes Film Festival. Post-production was to a tight timescale – shooting only wrapped in March – and Bucharest facility Digital Cube used a Baselight grading suite to ensure delivery while retaining full creative control over the look.

FilmLight Offering Worldwide Master Classes on Color

Tue, 05/08/2018 - 12:09 -- Nick Dager

To help colorists, cinematographers and the wider production and post industry understand the opportunities and challenges that high dynamic range and new delivery formats bring, FilmLight is taking intensive and specialist master classes on a world tour. Dates are already set for London (May 15), Mumbai (May 16), Hollywood (June 4) and Seoul (June 7), with more to be added.

Yedlin Presents On Acquisition and Pipeline for High-Resolution Exhibition

Thu, 05/03/2018 - 11:44 -- Nick Dager

Cinematographer Steve Yedlin, ASC will present his work on cinema image quality at this month’s Society of Motion Picture and Television Engineers’ Hollywood Section meeting May 16 at the Linwood Dunn Theater. The two-part demonstration, titled On Acquisition and Pipeline for High-Resolution Exhibition, premiered at Camerimage in 2016 and now is widely available online. The SMPTE Hollywood Section event will give attendees the opportunity to view Yedlin’s demonstration in a high-quality theatrical exhibition venue.

AlphaDogs Completes Effects Work on Krieg

Wed, 05/02/2018 - 11:58 -- Nick Dager

AlphaDogs has completed work on the new WWII short film Krieg. Directed and produced by Jeff Fry, Krieg follows the journey of a Waffen-SS officer who chooses to do the right thing while serving on the wrong side of a world at war. His remorse for inaction in the face of murder compels him to risk all in order to protect a wounded enemy airman.

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Universal, Film Foundation Partner on Restoration

Tue, 05/01/2018 - 12:29 -- Nick Dager

Universal Pictures and The Film Foundation have announced a multi-year partnership to restore a handpicked selection of the studios' classic titles. With this collaboration, Universal will fund the restorations as well as provide research and technical services. Through The Film Foundation, Martin Scorsese and Steven Spielberg will be personally involved in the process contributing their unique artistic expertise and historical knowledge throughout the restoration process. The restored versions will be screened at film festivals and archives around the world. The 2018 restoration slate includes the following:

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