Kinopolis Gruppe today announced that it has opened Germany’s first Dolby Cinema at the renowned Mathäser Palast in Munich. In addition, the Dolby Cinema at Mathäser will have its own entrance as well as a lounge area for film fans to enjoy the refreshments and beverages that will be on offer in a VIP style lounge.
At the world premiere of the Avengers: Endgame on April 22 at the Los Angeles Convention Center. Premiere guests enjoyed a stunning presentation of the film in Dolby Vision and Dolby Atmos sound using QSC loudspeakers, amplifiers, and signal processing featuring Q-SYS in a custom-built movie theater.
Next week at CinemaCon, Dolby will highlight a year of global growth that shows no signs of slowing down and will also exhibit a full spectrum of innovative, technologies for cinema exhibition, including the new Dolby Cinema Processor CP950.
In November, the Digital Cinema Initiative posted two new draft documents towards a high dynamic range specification for cinema titled Direct View Display D-Cinema Addendum and High Dynamic Range D-Cinema Addendum. They represent a major improvement over DCI’s previous draft, which I wrote about last September [DCI Has Lost Its Way https://bit.ly/2Omcnoa]. In contrast, the new documents are well written, detailed, explanatory and responsive. But questions remain and cost matters, leaving plenty of room for improvement.
One of Europe’s most famous cinemas, London’s Odeon Leicester Square, will reopen this Christmas following an 11 month, multi million pound deluxe refurbishment that has transformed what has been called the home of the premiere back into a global icon in the heart of London’s West End. The building’s largest screen has been fully upgraded to combine luxurious reclining Odeon Luxe seats with the captivating experience of Dolby Cinema.
Isaac Molina is a senior colorist based in Mexico City, where for the last nine years he has worked at leading post house Oxido. Molina has a rich tapestry of grading experience that includes TV commercials and, as the colorist and DI supervisor, with the grade of more than 30 feature films. More recently, he has worked as a colorist in the first Latin American high dynamic range TV series for Netflix. Digital Cinema Report recently spoke with Molina about his career, the art and craft of color grading and his work on The House of Flowers.
To commemorate the 25th anniversary release of Steven Spielberg's masterpiece Schindler's List, one of the most significant endeavors in the history of cinema, Universal Pictures will re-release the film with picture and sound digitally remastered—including in 4K, Dolby Cinema and Dolby Atmos—for a limited theatrical engagement on December 7, 2018, in theaters across the United States and Canada.
Pixelogic has opened new advanced and innovative post-production content review and audio mixing theatres within its facility in Burbank, California. The main theatre is equipped with a Dolby Vision projection system, and supports Dolby Atmos immersive audio.
When the decision was made – more than a decade ago – to convert all the movie theatres in to world to digital technology it unleashed a spirit of innovation that shows no signs of stopping. Certainly, challenges remain, but the savviest exhibitors have learned to embrace new ideas as the best way to stay ahead in an increasingly competitive business. One of the technology leaders in all of this has been Dolby Laboratories.
Dolby and the Wanying Cinema Line Company Limited have announced a partnership to extend the Dolby Cinema experience to more moviegoers in China. The exhibitor, which is wholly owned by China Resources Land Limited, operates movie theatres across China with the brand MixCine. The first location under the agreement is expected to be open at Wanying’s flagship site in Shenzhen with more locations to come in Southeast China in the following two years.