An independent filmmaker with many successes to his credit said it best: “Forget the show. Remember the business.” The most common mistake that new filmmakers make is to ignore the business side of the show business equation. And yet the financial aspects of show business are typically the most challenging. Last week in New York’s Gramercy Park neighborhood, the equipment sales and rental house Adorama hosted a panel of veteran filmmakers to discuss current approaches to motion picture finance and give practical advice about how producers can earn a return on their investment. More than fifty people crowded into the small meeting room for the discussion, which was moderated by Digital Cinema Society president James Mathers, himself a successful indie film cinematographer. The panelists brought a wide range of experiences to the conversation.
Digital Cinema Society
[Editor’s Note: This article is excerpted from the Digital Cinema Society eNewsletter, July 2014, and is published with the author’s permission.]
The world is abuzz with talk of Unmanned Aerial Vehicles and in order to avoid conjuring up images of CIA missile strikes, or NSA spying, I’ll avoid using their more common name – drone. The technological and commercial promise of this mode of aviation seems boundless. Amazon talks of delivering packages this way someday soon. Someday you might order a pizza and a UAV will make a beeline navigating by GPS over traffic right to your door. But as things stand today, professional filmmakers in the United States are not allowed to use UAVs on a movie shoot.
The New York branch of the Digital Cinema Society will host an event called How To Monetize Your Stock Footage on August 1 from 7:00 pm to 9:30 pm at The Studio-B&H, New York.