Alchemy Post Sound provided Foley effects for Good Time, the new thriller from directors Benny and Josh Safdie, supporting its action, vivid imagery and dark humor with creative sound. Working under the direction of supervising sound editor Ryan M. Price, MPSE, and re-recording mixer Evan Mangiamele, the Alchemy team (consisting of Foley artists Leslie Bloome and Joanna Fang and Foley mixers Ryan Collison and Nicholas Seaman) produced a vast assortment of custom sounds in preparing the film for festival screenings.
Alchemy Post Sound
One of the most distinctive aspects of writer-director Kenneth Lonergan’s new drama Manchester by the Sea is the quality of its sound design. “Making a quiet movie is hard, because, as a sound designer, you want to infuse every scene with something more than dialogue,” said supervising sound editor/re-recording mixer Jacob Ribicoff. “But you have to resist that temptation and keep it quiet and let the performances speak for themselves.”
When Two Worlds Collide, winner of the World Cinema documentary prize for Best First Feature at this year’s Sundance Film Festival, focuses on the alarming and sad conflict between indigenous people of the Peruvian rainforest and corporations bent on exploiting the region through mining, drilling and clear cutting.
Alchemy Post Sound provided Foley services for The Bandit, director Jesse Moss’ exhilarating documentary about Burt Reynolds, the late director and stuntman Hal Needham and the making of the iconic 1977 action-comedy Smokey and the Bandit. Working under the direction of supervising sound editor/re-recording mixer Tom Paul, Foley artist Leslie Bloome and his crew recreated the sounds of brawling stuntmen, a rocket-propelled car and 100-foot body falls to accompany the film’s mind-blowing stunts and action scenes.