Recording Sound

Crafting the Sounds of Southpaw

Thu, 08/06/2015 - 12:43 -- Nick Dager

One of Hollywood’s most gifted action directors, Antoine Fuqua explores the rarified violence of the boxing ring in his latest film Southpaw, released this month by The Weinstein Company. The director’s visceral boxing imagery is supported by a meticulously crafted soundtrack, created by a team from Sony Pictures Post Production Services led by supervising sound editor Mandell Winter, sound designer David Esparza and re-recording mixers Steve Pederson and Daniel J. Leahy.

Capturing the Sounds of Mad Max: Fury Road

Tue, 06/30/2015 - 15:51 -- Timo Klinge

Editor’s Note: Writer Timo Klinge recently sat down with Ben Osmo, production sound mixer and Oliver Machin, sound department coordinator & vehicle FX recordist about their experiences in the desert of Nambia, Africa during the recent production Mad Max: Fury Road. This article was provided by Ambient Recording and is reprinted here with the company’s permission.

Re-Recording Mixers Pederson, Leahy Join Sony Pictures

Tue, 06/16/2015 - 14:47 -- Nick Dager

Continuing to grow its sound department, Sony Pictures Post Production Services has added award-winning re-recording mixers Steve Pederson and Daniel J. Leahy to its creative staff. Pederson and Leahy have worked as a team on a number of motion picture projects, including the Antoine Fuqua film The Equalizer, which, as independents, they mixed on Sony Pictures’ Cary Grant Stage last year. They are currently mixing Fuqua’s latest film, Southpaw on the Sony lot. Upcoming projects include HBO’s True Detective and Fuqua’s remake of The Magnificent Seven.

Joseph Magee Supervised Pitch Perfect 2 Mix

Wed, 06/03/2015 - 13:37 -- Nick Dager

On May 15, Pitch Perfect 2 starring Anna Kendrick opened in theaters nationwide grossing more than $100 million in just two weeks. At the heart of the film’s success is its musical score. Supervising music mixer Joseph Magee, whose credits include the original Pitch Perfect, Saving Mr. Banks, High Fidelity and Into the Wild, recorded and mixed all of the a capella vocal performances using Harman’s JBL M2 Master Reference Monitors in a specially-built studio on location in Baton Rouge.

Documenting Skid Row Marathon

Mon, 12/01/2014 - 15:52 -- Nick Dager

In early 2013, director Mark Hayes read a story about a Los Angeles Superior Court Judge, Craig Mitchell, who started the Midnight Mission running club consisting of former substance abusers, ex-convicts, homeless people and others who fell on hard times — either by making the wrong choices at earlier points in their lives, or by simple misfortune.

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