On September 26, Sony Pictures Post Production Services will welcome leading innovators from across the world of motion picture sound as host of the Second Annual Mix Presents Sound for Film Conference and Exhibition. The theme for this year’s event, co-sponsored by the Motion Picture Sound Editors and the Cinema Audio Society, will be Music, Effects and Dialog in an Immersive World. It will explore the current boom in immersive sound technologies through speakers, panels, workshops and exhibits. Participants will include DTS, Dolby, Yamaha, Auro Technologies and other sound companies.
One of Hollywood’s most gifted action directors, Antoine Fuqua explores the rarified violence of the boxing ring in his latest film Southpaw, released this month by The Weinstein Company. The director’s visceral boxing imagery is supported by a meticulously crafted soundtrack, created by a team from Sony Pictures Post Production Services led by supervising sound editor Mandell Winter, sound designer David Esparza and re-recording mixers Steve Pederson and Daniel J. Leahy.
Editor’s Note: Writer Timo Klinge recently sat down with Ben Osmo, production sound mixer and Oliver Machin, sound department coordinator & vehicle FX recordist about their experiences in the desert of Nambia, Africa during the recent production Mad Max: Fury Road. This article was provided by Ambient Recording and is reprinted here with the company’s permission.
Zoom North America today introduced the F8 MultiTrack Field Recorder, designed for filmmakers and sound designers.
Continuing to grow its sound department, Sony Pictures Post Production Services has added award-winning re-recording mixers Steve Pederson and Daniel J. Leahy to its creative staff. Pederson and Leahy have worked as a team on a number of motion picture projects, including the Antoine Fuqua film The Equalizer, which, as independents, they mixed on Sony Pictures’ Cary Grant Stage last year. They are currently mixing Fuqua’s latest film, Southpaw on the Sony lot. Upcoming projects include HBO’s True Detective and Fuqua’s remake of The Magnificent Seven.
On May 15, Pitch Perfect 2 starring Anna Kendrick opened in theaters nationwide grossing more than $100 million in just two weeks. At the heart of the film’s success is its musical score. Supervising music mixer Joseph Magee, whose credits include the original Pitch Perfect, Saving Mr. Banks, High Fidelity and Into the Wild, recorded and mixed all of the a capella vocal performances using Harman’s JBL M2 Master Reference Monitors in a specially-built studio on location in Baton Rouge.
K-Tek recently hosted location audio professionals to an open house and seminar at its Vista, California headquarters.
Glenn Kiser, its founding director, believes the Dolby Institute's mission is straightforward: "The Dolby Institute engages artists by providing education, inspiration, and support throughout the creative process.”
Panasonic has announced the availability of the new AJ-PG50 field recorder, the first to support the AVC-ULTRA codec
In early 2013, director Mark Hayes read a story about a Los Angeles Superior Court Judge, Craig Mitchell, who started the Midnight Mission running club consisting of former substance abusers, ex-convicts, homeless people and others who fell on hard times — either by making the wrong choices at earlier points in their lives, or by simple misfortune.