Slice, currently in international release from A24, is a quirky comedy/horror tale centering on a neighborhood pizza parlor that doubles as “a gateway to hell.” For Steve Giammaria, of Sound Lounge’s Film + Television division, who acted as both supervising sound editor and re-recording mixer, Slice offered an opportunity to indulge both his sense of humor and taste for the macabre.
Keeping projectors and other cinema equipment up and running is a primary concern for exhibitors. If you own a Series 1 or an early Series 2 projector, you may already be facing significant cost of ownership issues, including more frequent breakdowns and longer downtimes. Even worse, manufacturers may no longer support your equipment — or may soon stop supporting it — making replacement parts expensive or even unavailable.
The demands of moviegoers are growing and with them the pressure on cinema operators to enable ever better and increasingly immersive cinema experiences. Dolby's surround sound technology Atmos is one of the most sought-after features in the cinema market, and is often integrated into a larger premium concept. Such a premium concept was realized recently by the two Munich companies ZweiB and Videocation in a joint project in the 363-seat Saal 8 of the Dietrich Theater in Neu-Ulm, Germany.
Screenvision Media has teamed up with Xbox to announce the national debut of two new cinematics that utilize immersive MX4D technology in select theatres. Xbox's advertisements will support the October 2 launch of open-world racing game Forza Horizon 4 and Xbox Game Pass, Microsoft's gaming membership. They are the first ads to utilize this technology to provide moviegoers a seat shifting, heart racing advertising experience.
The way it’s supposed to work, a cinema should be able to acquire DCI Compliant equipment with the assurance that first release movies would not be withheld for reason of having the wrong gear. With the recent release of its DCI Memorandum Regarding Direct View Displays, it is no longer clear where DCI is heading.
Wanda Cinema has opened the world’s first Onyx multiplex theatre at its Shanghai Arch Wanda Cinema in Shanghai, China. The theatre, which opened September 7, has six Samsung Onyx screens in one location.
When the innovative Crowne Pointe Theatre complex in Elizabethtown, Kentucky, has its grand opening in October, all nine auditoriums will feature Christie projectors. Integrity Entertainment Systems supervised the installation and project management. Highlighting the installation is the Christie CP4325-RGB pure laser projector in the giant, 60-foot screen in the 226-seat auditorium, the largest of the nine auditoriums.
In time for the release of Warner Bros. horror film The Nun, Regal announced today that it’s opening ScreenX locations in New York City and San Francisco. The launch this Thursday will mark the first theatres in each of these cities to feature CJ4DPlex’s ScreenX, the premium, panoramic, 270-degree cinema environment that projects films on three walls of the auditorium. With these openings, ScreenX expands its domestic presence to seven locations.
To commemorate the 25th anniversary release of Steven Spielberg's masterpiece Schindler's List, one of the most significant endeavors in the history of cinema, Universal Pictures will re-release the film with picture and sound digitally remastered—including in 4K, Dolby Cinema and Dolby Atmos—for a limited theatrical engagement on December 7, 2018, in theaters across the United States and Canada.
Crazy Rich Asians is one of the summer’s biggest success stories. Shot by cinematographer Vanja Černjul, ASC, HFC (The Perfection, The Deuce, Marco Polo) with VariCam Pure cinema cameras, the film is based on the best-selling novel by Kevin Kwan, and tells the story of an Asian American woman who meets her boyfriend's family, only to find out they are one of the richest families in Singapore. The Warner Bros film was directed by Jon M. Chu (Now You See Me 2, G.I. Joe: Retaliation) and features an all-Asian cast, including Constance Wu, Henry Golding, Ken Jeong, Michelle Yeoh, and many others. It is the first Hollywood studio film to feature Asians in leading roles since director Wayne Wang’s 1993 film, The Joy Luck Club.