Christie has been chosen as the official projector partner for CineAsia 2018, which takes place at the Hong Kong Convention and Exhibition Centre December 10-13.
As the line between cinemas and amusement parks continues to blur, the Ymagis Group has announced plans to open several dozen virtual reality adventure parks and at least 200 arcade sites in partnership with cinema exhibitors worldwide by the end of 2020. Since Ymagis Group was founded, the company says it has pursued an innovation policy designed to put it at the heart of the digital transformation of the entertainment industry. Today, this industry is experiencing a new revolution with the irruption of virtual reality technologies. Halfway between cinema and video games, virtual reality is already a global phenomenon benefiting from an advanced technological environment
iQiyi today announced that the company’s first offline Yuker on-demand movie theatre in Zhongshan, Guangdong is now THX certified. Tao Lei, vice president of iQiyi, and Wu Hao, general manager of THX China unveiled the official THX Certified Cinema plaque during the opening ceremony launch event in Zhongshan, Guangdong on November 9. The company’s said this milestone not only reinforced iQiyi’s adherence to the company vision of “to become a technology-based entertainment giant”, but also demonstrated iQiyi and THX as the ideal partners to enable shopping malls to drive traffic and enhance engagement with consumers, as part of an ongoing transformation of retail spaces into digital entertainment complexes
CJ 4DPlex announced today an agreement with Kinepolis to bring the 4DX immersive-seat experience to six additional Kinepolis cinema complexes. Less than one year after the opening of its first 4DX theatres in Antwerp, Brussels, Lomme, Madrid and Valencia, the company has announced six additional 4DX theatres, which include three in Belgium (Kinepolis Hasselt, Ghent and Rocourt), one in Luxembourg (Kirchberg), one in France (Kinepolis Nîmes) and one in Spain (Kinepolis Diversia, Madrid).
Cinépolis, the fourth largest movie theater circuit in the world, and the largest in Mexico and Latin America, has selected Cielo as its provider of choice for digital management, monitoring and support of the entire Cinépolis circuit across the world. Cielo is joining forces with CES+, who has a longstanding business alliance with Cinépolis, and will act as the integrator channel partner and primary manager of the account.
CJ 4DPlex has reached new levels of success with more than 20 million worldwide attendees and $250 million at the box office to date in 2018. The company anticipates that the total number of moviegoers who have experienced 4DX since its launch in 2009 will exceed 85 million by year’s end, with the total box office gross surpassing $1 billion.
Christie cinema projectors illuminated all three screens for the September grand opening of New York State’s newly renovated, historic Bedford Playhouse. The original Playhouse first opened its doors in April 1947, and 70 years later the total audio/visual design and installation phase for the new complex was awarded to Digital Media Systems, a valued Christie business partner, as part of the construction of the new facility that began in spring 2017.
Regal, since March of this year part of Cineworld Group, the second biggest exhibitor in the world, has unveiled its new logo. The rebranding is part of a larger strategy to commit $1.0 billion over five years to build new cinemas and renovate existing ones, to ensure that Regal is The Best Place to Watch a Movie!
AV Center Cinema has selected Volfoni for a multi-cinema rollout of 3D equipment to one of the largest Danish Theatre Associations. Volfoni worked with AV Center Cinema to equip multiple cinemas from multiple cinema operators and to deploy 24 of Volfoni’s latest 3D hardware systems.
Ymagis Group today reported its consolidated revenue for Q3 and for the first nine months of 2018. The lower than expected performance of CinemaNext’s equipment distribution activities and increased difficulties with Eclair's post-production and restoration activities are not sufficient to offset the decline in virtual print fee activity over the third quarter of 2018.