A new study reports that art house movie patrons greatly value their local theatres and show that both with their attendance and their money. For the sixth consecutive year, the Art House Convergence, a trade organization, partnered with Avenue ISR to learn more about art house audiences in the U.S
Established in the 1920s, the Lido Cinema in Auckland is one of New Zealand’s oldest and most prestigious cinemas. Originally opened as a single-screen art house cinema, the Lido expanded with a second 44-seat capacity theater known as The Lounge in 2005. The Lido recently decided to upgrade the aging 5.1 sound system in The Lounge.
Spotlight Cinema Networks, a cinema advertising company dedicated to luxury and art house theatres, has announced two promotions and a key hire. Bernadette McCabe has been hired as executive vice president, CineLife Entertainment; Ronnie Ycong has been promoted to executive vice president, exhibitor relations & operations; and Christine DelGuidice-Kraemer has been promoted to senior vice president, marketing.
Qube Cinema has published a case study highlighting the deployment of Qube Wire by Tugg, a pioneer in developing the Cinema On Demand model bridging the gap between filmmakers and audiences. According to the company, Tugg has the ability to book titles into more than 85 percent of commercial movie theatre screens in the US, from the largest circuits to independent art houses. One noteworthy aspect of the Tugg platform is that it also provides access to venues that potentially wouldn’t ordinarily play a film, such as churches, museums and libraries.
Spotlight Cinema Networks has signed a new long-term cinema advertising agreement with Landmark Theatres. Under the terms of the new agreement, Spotlight Cinema Networks will continue to have the exclusive right to market and exhibit advertising at Landmark Theatres, including their flagship location, The Landmark in Los Angeles, and new luxury venues, such as The Landmark at 57 West in New York City, Atlantic Plumbing Cinema in Washington DC, and The Landmark at Merrick Park in Miami. Landmark Theatres is the nation’s largest art house exhibitor with 52 theatres and 252 screens.
Christie cinema projectors illuminated all three screens for the September grand opening of New York State’s newly renovated, historic Bedford Playhouse. The original Playhouse first opened its doors in April 1947, and 70 years later the total audio/visual design and installation phase for the new complex was awarded to Digital Media Systems, a valued Christie business partner, as part of the construction of the new facility that began in spring 2017.
With a passion for movies that he’s had for as long as he can remember Mark Louis, director of presentation for Alamo Drafthouse Cinemas, started working in the theatre industry almost 40 years ago. When watching movies, he realized early on that the slightest imperfection in the presentation was a distraction. Even unavoidable distractions like on-screen cue marks on 35mm film prints would grab his attention. He says he found himself wondering why imperfections like those marks were present and could they be avoided. That frustration with a less than perfect presentation and a fascination with how movie magic actually worked is what lured him to the technical side of the business where he remains to this day. I recently spoke with Louis about his career in exhibition and his role at Alamo Drafthouse Cinemas.
For the third straight year, Italy’s Mercato Internazionale Audiovisivo has selected WCPMedia Services’ cloud-based media management platform to manage film, television, documentary and gaming content. Relied on by festivals, studios and broadcasters worldwide, WCPMedia Services provided a fast and simple way for producers and distributors to submit projects to MIA and share them, securely, with potential buyers both at the market and around the globe.
Kino Lorber has made a multi-year strategic alliance with film distributor Zeitgeist Films, founded and run by industry leaders Nancy Gerstman and Emily Russo. Going forward, Kino Lorber and Zeitgeist Films will co-acquire four to five theatrical titles per year to be marketed and released by Zeitgeist Films, which will continue to be operated and controlled by co-presidents Gerstman and Russo.
Éclair today announced the signing of a framework agreement with Gaumont for the restoration of more than 100 feature films. The contract will cover a three-year period and calls 25 to 40 films to be restored annually.