Recording Sound

Foley Plays a Good Time Role

Tue, 07/11/2017 - 15:25 -- Nick Dager

Alchemy Post Sound provided Foley effects for Good Time, the new thriller from directors Benny and Josh Safdie, supporting its action, vivid imagery and dark humor with creative sound. Working under the direction of supervising sound editor Ryan M. Price, MPSE, and re-recording mixer Evan Mangiamele, the Alchemy team (consisting of Foley artists Leslie Bloome and Joanna Fang and Foley mixers Ryan Collison and Nicholas Seaman) produced a vast assortment of custom sounds in preparing the film for festival screenings.

Storyline Changes the Audio Workflow

Mon, 07/10/2017 - 12:40 -- Nick Dager

For Gisle Tveito, a 26-year veteran, supervising sound editor, dubbing mixer, and one of the owners of Storyline, getting the sound design process to run closer to parallel with the video editing process has always been a goal. While many sound departments wait for picture-lock before starting to work on the sound, the team at Storyline is breaking the mold of the traditional serial workflow by closely aligning audio with video editors from the first cut.

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Levels Audio Raises the Bar

Thu, 05/18/2017 - 12:47 -- Nick Dager

Levels Audio prides itself on being the best and most luxurious post-production/mixing studio in the heart of Hollywood. Founded and run by multiple-Emmy award winning engineer Brian Riordan, the 14,000 square foot, state-of-the-art facility recently added Mix 9, a bespoke Dolby Atmos mix stage, where an Alcons Audio CRMS mkII Cinema Reference Monitor System is making a big impression.

Roundabout Posts Parrot Heads

Thu, 05/04/2017 - 16:52 -- Nick Dager

Post-production finishing for Parrott Heads, a new feature length documentary about dedicated fans of singer Jimmy Buffett, was completed recently at Roundabout Entertainment. The Burbank facility provided editorial conforming, color grading, sound mixing and DVD authoring services for the film, currently streaming on Amazon, iTunes and elsewhere.

Sony Pictures Adds IMAX Dub Stage

Tue, 01/31/2017 - 15:18 -- Nick Dager

Sony Pictures Post Production Services has added a mix stage dedicated exclusively to IMAX. The new stage, which is equipped with a 24-fader Avid S6 mixing console, is the only dub stage on the West Coast that uses IMAX loudspeakers and meets specifications for mixing in its immersive IMAX 12.0 sound format. The room will be used to prepare 2D and 3D theatrical features and trailers for release to IMAX theaters worldwide.

MPSE Announces 2017 Golden Reel Nominees

Fri, 01/27/2017 - 15:10 -- Nick Dager

The Motion Picture Sound Editors today announced nominees for the 64th MPSE Golden Reel Awards. Nominees represent the work of the world’s most talented sound artists and their contributions to the past year’s most outstanding feature film, television, animation and computer entertainment productions. The 2017 MPSE Filmmaker Award winner is Guillermo del Toro. This year’s MPSE Career Achievement Award goes to Harry Cohen.

Mixers Honored for Westworld Sound

Fri, 01/27/2017 - 11:34 -- Nick Dager

South Lake Audio Services re-recording mixers Keith Rogers, CAS and Scott Weber have received a nomination in the Cinema Audio Society’s 53rd CAS Awards for their work on the HBO television series Westworld. They share the nomination with production mixer John Pritchett, CAS; ADR mixer Mark Kondracki and Foley mixer Geordy Sincavage. The nomination, in the category Television – One Hour, comes for the series’ pilot episode, The Original.

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