On September 26, Sony Pictures Post Production Services will welcome leading innovators from across the world of motion picture sound as host of the Second Annual Mix Presents Sound for Film Conference and Exhibition. The theme for this year’s event, co-sponsored by the Motion Picture Sound Editors and the Cinema Audio Society, will be Music, Effects and Dialog in an Immersive World. It will explore the current boom in immersive sound technologies through speakers, panels, workshops and exhibits. Participants will include DTS, Dolby, Yamaha, Auro Technologies and other sound companies.
In a significant boost to its services for movie and television sound, Tattersall Sound & Picture has added Dolby Atmos technology to its largest mixing stage and completed its first project in the immersive sound format. Hyena Road, an Afghan war drama from actor/director Paul Gross (Passchendaele) will make its world premiere this month at the Toronto International Film Festival as a Gala Presentation.
One of Hollywood’s most gifted action directors, Antoine Fuqua explores the rarified violence of the boxing ring in his latest film Southpaw, released this month by The Weinstein Company. The director’s visceral boxing imagery is supported by a meticulously crafted soundtrack, created by a team from Sony Pictures Post Production Services led by supervising sound editor Mandell Winter, sound designer David Esparza and re-recording mixers Steve Pederson and Daniel J. Leahy.
New York City-based audio post-production company Sync Sound's founders and principles Bill Marino and Ken Hahn have sold their midtown Manhattan facility Digital Cinema to Warner Bros., Audio Media International reported.
The Motion Picture Sound Editors has announced the results of its annual Board of Directors election. Elected to two-year terms in Executive Seats are Jeremy J. Gordon as Sergeant-at-Arms, Paul Rodriguez as Treasurer and Mark Lanza as Vice President. They join continuing offices Frank Morrone (President) and Christopher Reeves (Secretary). Lanza and Rodriguez were incumbents.
Following extensive development and consultation with the post-production community, Nugen Audio today announced Loudness Toolkit 2.
Glenn Kiser, its founding director, believes the Dolby Institute's mission is straightforward: "The Dolby Institute engages artists by providing education, inspiration, and support throughout the creative process.”
Award winning supervising sound editors Peter Brown, Scott Hecker and Dave McMoyler have joined Formosa Group, a talent-based post-production sound company serving film, television, interactive, music and commercial clients.
Killer Tracks is expanding and broadening the scope of its groundbreaking Artist Series with a focus on emerging talent. The company is releasing a number of new tracks from breakout artists, including work from Portland alt rockers Rare Monk and the L.A.-based quartet Misun.
Since 2007 Warsaw-based Dreamsound (www.dreamsound.pl) has been one of Poland’s top film post-production studios, offering a complete range of services from recording sound on set through sound editing, mixing and audio mastering. Since its inception Dreamsound has been committed to offering its clients the very latest in film sound technologies, as evidenced by the fact that it’s the first post-production house in Poland licensed to produce film soundtracks using the Dolby Atmos surround-sound system, heard at its full potential thanks to a system based around Harman’s JBL ScreenArray loudspeakers and Crown DSi and XLS DriveCore Series amplifiers.