A newly released report by industry analyst Coughlin Associates affirms the superior business value that workflow storage delivers over general-purpose IT storage for broadcast and post-production operations.
AJA Video Systems has released new v12.2 software for its Kona and Io products.
Post-production companies of all sizes rely on Signiant’s file transfer software to move their large digital assets quickly and securely between teams distributed around the world, and Modern VideoFilm’s latest work takes the scale and reach of distributed finishing to new levels.
Codex has once again collaborated with Arri to develop the recording and workflow system for Arri’s next evolution of the Alexa camera – the Alexa SXT.
“Once again, Arri has listened to what their customers want and worked with Codex to come up with a great solution – not just a great new camera but an entire workflow,” said Marc Dando, managing director of Codex. “We’re excited to showcase our cutting-edge recording technology with this exciting new camera and continue to partner with Arri to provide the tools that our industry needs.”
Aspera was an official partner at the Sundance Film Festival, which ended last week. The festival took place on January 22 – February 1 in Park City, Utah. Sundance chose Aspera faspex TM to enable independent filmmakers from all over the world to submit their work quickly, efficiently and securely for this year’s festival.
Following extensive development and consultation with the post-production community, Nugen Audio today announced Loudness Toolkit 2.
Cinedeck and axle Video today launched SetMeUp, a complete, pre-packaged, cost-effective HD and 4K/UHDTV on-set workflow system enabling acquisition/playback, radically simple media management and ingest storage for live and episodic broadcast TV production.
Chaos Group has released V-Ray 3.0 for Maya, delivering a powerful new set of features and optimizations focused on speeding up lighting, look development, and rendering workflows.
AJA Video Systems' Io 4K device for professional video and audio I/O was used to facilitate 4K playback for VFX review on director David Fincher’s Gone Girl, from 20th Century Fox and New Regency.