Distribution & Exhibition

Some Personal Thoughts from CineEurope 2022

Mon, 07/11/2022 - 11:51 -- Nick Dager

Last month at CineEurope, Harkness Screens’ chief technology officer Laurent Espitalier became the first Harkness staffer to sit in on a Union Internationale des Cinémas | International Union of Cinemas Round Table talking about exhibition and laser speckle. Laurent also attended a second UNIC panel. These are some of his personal thoughts about what was discussed during the meetings.

Cinity Wins CineEurope’s Technical Achievement Award

Thu, 07/07/2022 - 12:03 -- Nick Dager

Cinity was this year’s winner of the Technical Achievement Award at CineEurope 2022. This is the first time a premium high-tech film brand from China has won this prestigious award at a major trade exhibition, and it is a starting point for the global expansion of Cinity. Fu Ruoqing, vice-chairman and general manager of China Film Group accepted the award.

Thor: Love and Thunder Opening in ScreenX

Wed, 07/06/2022 - 13:46 -- Nick Dager

Marvel Studios Thor: Love and Thunder will debut in CJ 4DPlex’s immersive 270-degree panoramic ScreenX format in theatres worldwide beginning July 6, followed by the United States on July 8. By expanding specially selected film sequences onto the left and right-side walls of the auditorium, ScreenX surrounds and transports moviegoers into the otherworldly action of the film.

Burnham-On-Sea’s Ritz Cinema Hopes to Add Digital Signage

Mon, 07/04/2022 - 10:03 -- Nick Dager

Burnham-On-Sea’s Ritz Cinema hopes the replace the street art on one side of its building with a large electronic advertising billboard. The Ritz Social Club, which runs the cinema, has applied to the Sedgemoor District Council for permission to introduce the illuminated display on the north-facing cinema wall opposite the town’s post office.

Elvis Leads Steady Box Office Gains

Wed, 06/29/2022 - 11:27 -- Nick Dager

Signs of adult audiences returning continued this week, according to the London-based analytics firm Gower Street, as Baz Luhrmann’s with a $31.2 million opening Elvis prevented Top Gun: Maverick from flying back into the top spot on the Domestic chart. The biopic delivered $51.2 million globally from 52 launch markets. It scored number one in Luhrmann’s home-market, Australia ($4.7 million including previews), as well as in the UK/Ireland ($4.9 million), Italy ($925,000), Netherlands ($849,000), and New Zealand ($662,000).

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