Workflow

Quantum Unveils Upgraded Xcellis Shared Storage System

Mon, 07/25/2016 - 10:58 -- Nick Dager

Quantum today announced a new animation and visual effects workflow reference architecture built on the company's Xcellis shared storage system. This robust and exceptionally flexible architecture delivers optimal storage capabilities for animation and editorial operations, thereby streamlining workflows and boosting overall efficiency and productivity.

The Molecule Moves to Handle Growth

Thu, 07/21/2016 - 11:34 -- Nick Dager

As demand for higher resolution imaging grows, The Molecule expects to hire more than 100 people as it prepares to move to a new production facility at 29th and Broadway in Manhattan. “In the future, we are expecting our staff to grow to 120,” says marketing manager Audra Coulombe. “There is a lot to consider when building a new production facility in the current environment. Post-production is moving to higher and higher definition. Streaming services like Netflix and Hulu are now sending us footage at 4K and even 6K, and each VR production involves much more footage than a conventional project. So, we’ve designed our new facility to handle ten times our current capacity. We’re doing it right and planning ahead.”

Pixspan PixMover Software Now Available

Tue, 07/12/2016 - 11:45 -- Nick Dager

Pixspan has released its PixMover software, now supporting 4K workflow speeds. The new GPU-enabled PixMover, when used with a dual-processor server and Nvidia M6000 GPU card, operates two-to-four times faster than with a CPU-only server. The company will be demonstrating this latest version of PixMover at the Innovation Zone during the HPA Tech Retreat UK, July 13-14 in Oxfordshire, England.

Fast Work in Brooklyn

Tue, 06/28/2016 - 11:55 -- Nick Dager

Horace and Pete is a 2016 web series created, written, and directed by Louis C.K. A distinctive feature of the series is frequent references to highly topical current events during barroom discussions. This was made possible by having less than a week between the production and release of the episodes. It was also one of the reasons that the VariCam 35s were chosen for the show, according to post-production technical advisor Troy Thompson a longtime C.K. collaborator and colorist at New York’s Running Man.

Panavision Integrates Cooke’s /i Technology

Wed, 06/15/2016 - 11:38 -- Nick Dager

Panavision has joined the growing list of companies to support Cooke Optics’ /i Technology , pledging to build support for Cooke Optics’ /i Technology protocol into its portfolio in the future. Cooke's /i Technology is an open metadata protocol that enables film and digital cameras to automatically record key lens data for every frame shot and provide it to post-production teams digitally.

Captain America: Workflow Lessons

Mon, 05/16/2016 - 12:21 -- Nick Dager

In the spring of 2015, Trent Opaloch began a huge undertaking as director of photography on a new entry in the Marvel Cinematic Universe. The bar is set high – as a production unit, Marvel has been a smashing success – but one advantage is the solid workflow that Marvel has developed over the course of a dozen feature films.

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Technicolor Masters Captain America

Wed, 05/11/2016 - 15:13 -- Nick Dager

Following on the heels of their 2014 hit, Captain America: The Winter Soldier, directors Anthony and Joe Russo have done it again with the Marvel-Disney franchise blockbuster Captain America: Civil War. From a script written by Christopher Markus and Stephen McFeely, which blends dramatic spectacle with legit emotion and humor, the filmmakers once again turned to cinematographer Trent Opaloch, who shot The Winter Soldier. The Technicolor color finishing team led by senior supervising finishing colorist Steve Scott, worked with Opaloch, the Marvel team (producer Kevin Feige, and executive producer Victoria Alonso), and the Russos to provide final color-grading, digital intermediate services, mastering for a wide array of HDR theatrical deliverables, and HDR home masters.

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