Event Cinema Association executive director Grainne Peat will be celebrating her first year in that role when the association convenes in Amsterdam next month for its annual convention. It has been a busy year for the association and for Peat who has implemented many changes. I recently spoke with her to talk about all that has happened in the past eleven months. Peat says one of her key challenges going forward is to better define what event cinema actually is. But first, we discussed the association’s new website.
New York Women in Film & Television has named Jamie Zelermyer as its new board of directors president. Zelermyer has served on the NYWIFT board for four years, most recently as vice president of special events through which she oversaw the production of the 2017 and 2018 NYWIFT Muse Awards. She has been a New York-based producer and production executive for over 20 years and is currently producing Independent Feature Project’s signature program, IFP Week.
The International Cinema Technology Association has presented Christie Digital Systems with its Teddy Award as Manufacturer of the Year. The award is voted on by active members of the ICTA and presented annually to the ICTA manufacturer which “most closely exemplifies the progressive principals of product development and provides the dealers with service and up-to-date technical and sales information, while supporting the status of its product without qualification.”
The International Cinema Technology Association has named Ellis Jacob, president and chief executive officer of Cineplex, the recipient of the Global Cinema Innovation Award. The award will be presented to Jacob at ICTA’s awards ceremony at Puro Beach, Hilton Diagonal, June 16 in Barcelona the day before CineEurope begins.
The Hollywood Section of SMPTE will host a panel discussion this month on real-time visualization tools that are revolutionizing the way film and television productions are planned. The meeting takes place Thursday, February 21, at Sim in Los Angeles.
Earlier this week Cinionic was named Innovator of the Year by the Advanced Imaging Society during its 10th Annual Lumiere Awards at the Steven J. Ross Theater on the Warner Bros. studio lot. The event recognizes outstanding international achievement in the creation of immersive storytelling using advanced visual technologies.
Qube Cinema has published a case study highlighting the deployment of Qube Wire by Tugg, a pioneer in developing the Cinema On Demand model bridging the gap between filmmakers and audiences. According to the company, Tugg has the ability to book titles into more than 85 percent of commercial movie theatre screens in the US, from the largest circuits to independent art houses. One noteworthy aspect of the Tugg platform is that it also provides access to venues that potentially wouldn’t ordinarily play a film, such as churches, museums and libraries.
The Motion Picture Sound Editors association has announced nominees for the 66th Annual MPSE Golden Reel Awards. Nominees represent the work of the world’s most talented sound artists and their contributions to the past year’s most outstanding feature film, television, animation and computer entertainment productions.
In November, the Digital Cinema Initiative posted two new draft documents towards a high dynamic range specification for cinema titled Direct View Display D-Cinema Addendum and High Dynamic Range D-Cinema Addendum. They represent a major improvement over DCI’s previous draft, which I wrote about last September [DCI Has Lost Its Way https://bit.ly/2Omcnoa]. In contrast, the new documents are well written, detailed, explanatory and responsive. But questions remain and cost matters, leaving plenty of room for improvement.
The Society of Camera Operators has announced the nominees for Camera Operator of the Year in the Film category. They are: