The Hollywood Section of SMPTE will host a panel discussion this month on real-time visualization tools that are revolutionizing the way film and television productions are planned. The meeting takes place Thursday, February 21, at Sim in Los Angeles.
Earlier this week Cinionic was named Innovator of the Year by the Advanced Imaging Society during its 10th Annual Lumiere Awards at the Steven J. Ross Theater on the Warner Bros. studio lot. The event recognizes outstanding international achievement in the creation of immersive storytelling using advanced visual technologies.
Qube Cinema has published a case study highlighting the deployment of Qube Wire by Tugg, a pioneer in developing the Cinema On Demand model bridging the gap between filmmakers and audiences. According to the company, Tugg has the ability to book titles into more than 85 percent of commercial movie theatre screens in the US, from the largest circuits to independent art houses. One noteworthy aspect of the Tugg platform is that it also provides access to venues that potentially wouldn’t ordinarily play a film, such as churches, museums and libraries.
The Motion Picture Sound Editors association has announced nominees for the 66th Annual MPSE Golden Reel Awards. Nominees represent the work of the world’s most talented sound artists and their contributions to the past year’s most outstanding feature film, television, animation and computer entertainment productions.
In November, the Digital Cinema Initiative posted two new draft documents towards a high dynamic range specification for cinema titled Direct View Display D-Cinema Addendum and High Dynamic Range D-Cinema Addendum. They represent a major improvement over DCI’s previous draft, which I wrote about last September [DCI Has Lost Its Way https://bit.ly/2Omcnoa]. In contrast, the new documents are well written, detailed, explanatory and responsive. But questions remain and cost matters, leaving plenty of room for improvement.
The Society of Camera Operators has announced the nominees for Camera Operator of the Year in the Film category. They are:
The International Broadcasting Convention is now accepting submissions of technical papers for its annual conference, which is being held this September in Amsterdam, the Netherlands. Following an increase in female speakers at the conference in 2018, up from 14 percent in 2017 to 37 percent, IBC is encouraging applications from a globally diverse audience.
The not-for-profit independent trade organization Cinema Technology Community recently announced the recipients of its awards at its annual awards ceremony in London.
New York Women in Film & Television has named Cynthia López, an Emmy, Peabody and duPont-Columbia Award-winning media strategist, and former commissioner of the New York City Mayor’s Office of Media and Entertainment, as its new executive director. López will succeed Terry Lawler, who concludes a remarkable 21-year tenure, effective January 1. NYWIFT president, Simone Pero made the announcement on behalf of the organization’s 18-member board of directors.
The Motion Picture Sound Editor will honor Antoine Fuqua with its annual Filmmaker Award. The director of such films as The Equalizer (1 & 2), The Magnificent Seven, Southpaw and Training Day, is being recognized for his outstanding contributions to the art of cinema. He will receive the award at the 66th MPSE Golden Reel Awards ceremony February 17th in Los Angeles.