Trade Associations

Defining Event Cinema

Tue, 09/10/2019 - 13:57 -- Nick Dager

Event Cinema Association executive director Grainne Peat will be celebrating her first year in that role when the association convenes in Amsterdam next month for its annual convention. It has been a busy year for the association and for Peat who has implemented many changes. I recently spoke with her to talk about all that has happened in the past eleven months. Peat says one of her key challenges going forward is to better define what event cinema actually is. But first, we discussed the association’s new website.

NYWIFT Names Jamie Zelemyer Board of Directors President

Wed, 08/14/2019 - 13:09 -- Nick Dager

New York Women in Film & Television has named Jamie Zelermyer as its new board of directors president. Zelermyer has served on the NYWIFT board for four years, most recently as vice president of special events through which she oversaw the production of the 2017 and 2018 NYWIFT Muse Awards. She has been a New York-based producer and production executive for over 20 years and is currently producing Independent Feature Project’s signature program, IFP Week.

Christie Wins ICTA’s Teddy Award for Manufacturer of the Year

Thu, 08/08/2019 - 10:57 -- Nick Dager

The International Cinema Technology Association has presented Christie Digital Systems with its Teddy Award as Manufacturer of the Year. The award is voted on by active members of the ICTA and presented annually to the ICTA manufacturer which “most closely exemplifies the progressive principals of product development and provides the dealers with service and up-to-date technical and sales information, while supporting the status of its product without qualification.”

Qube, Tugg Showcase Cinema on Demand

Thu, 01/24/2019 - 14:14 -- Nick Dager

Qube Cinema has published a case study highlighting the deployment of Qube Wire by Tugg, a pioneer in developing the Cinema On Demand model bridging the gap between filmmakers and audiences. According to the company, Tugg has the ability to book titles into more than 85 percent of commercial movie theatre screens in the US, from the largest circuits to independent art houses. One noteworthy aspect of the Tugg platform is that it also provides access to venues that potentially wouldn’t ordinarily play a film, such as churches, museums and libraries.

DCI Must Do More on HDR

Wed, 01/16/2019 - 11:41 -- Michael Karagosian

In November, the Digital Cinema Initiative posted two new draft documents towards a high dynamic range specification for cinema titled Direct View Display D-Cinema Addendum and High Dynamic Range D-Cinema Addendum. They represent a major improvement over DCI’s previous draft, which I wrote about last September [DCI Has Lost Its Way https://bit.ly/2Omcnoa]. In contrast, the new documents are well written, detailed, explanatory and responsive. But questions remain and cost matters, leaving plenty of room for improvement.

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