Goldcrest Post and CinePointe Advisors will unravel the process of preparing films for distribution in a special two-night workshop aimed at feature film and documentary producers and others responsible for budgeting and supervising films as they make their way through post-production. Sessions will offer insight into the legal, technical and physical aspects of film delivery, covering topics as wide-ranging as how to negotiate delivery terms to the intricacies of OTT delivery specs. Workshop leaders will include CinePointe Advisors business and financial affairs advisor Stacey Smith, Goldcrest Films head of production Gretchen McGowan and Goldcrest Post managing director Domenic Rom.
A new study from the European Audiovisual Observatory has found that the average release window in Germany, France, United Kingdom, Belgium and the Netherlands is 19.4 weeks from the time of a film’s release and it’s availability to purchase via video on demand.
In Dopesick Nation, recovering addicts Frankie and Allie take on the heroin epidemic by working to save as many addicts as they can. The series, which premiered on Viceland last year, takes place in southern Florida and also tries to expose the corruption and exploitation that takes place in the rehab industry.
Lumiere VOD was launched this week at the Council of Europe by Mariya Gabriel, the EU Commissioner for Digital Economy and Society and the Council’s Secretary General, Thorbjorn Jagland in the presence of Silvia Costa, Member of the European Parliament and Rapporteur for Creative Europe and president of the Association of Film Directors and Producers, filmmaker Radu Milaileanu. The database contains information on more than 35,000 European films offered 150,000 times on VOD. This data has been taken from 250 different VOD catalogues available in 28 European countries.
The New York facility of Eurofins Digital Media Services has been granted a Certification in Dolby Vision Quality Control Services. Eurofins is the first dedicated Dolby Vision quality assurance facility on the East Coast, meeting the growing demand for quality control and testing services in New York City.
FandangoNow, Fandango’s video on-demand service, will become the first U.S. digital retailer for IMAX Enhanced films releasing to home video. FandangoNow will have exclusive rights as the sole transactional VOD service to feature this content in the U.S. through 2019. The IMAX Enhanced program is a certification and licensing program, combining IMAX digitally re-mastered 4K high dynamic range content and DTS audio technologies.
Jonathan Wales, mixing at Formosa NoHo, recently completed the audio mix for the Netflix series, The Haunting of Hill House. The Haunting of Hill House was mixed in Dolby Atmos. For the show, Wales needed to convey the feeling of spaciousness in the house and create unnerving suspense throughout the mix as a family relives their scary past.
Last summer, Emagine Entertainment showed the first-run movie Ideal Home starring Paul Rudd at its Royal Oak Cinema in Detroit using Nagra’s myCinema technology. “This is the first-time audiences have enjoyed a feature length film leveraging advanced digital compression technology via Nagra-secured myCinema theater premise equipment,” said Jean-Luc Jezouin, Nagra’s senior vice president business development. “The plug-and-play experience of the myCinema solution offers a significant leap in digital cinema distribution technology, alleviating enormous costs experienced with traditional digital cinema prints.”
In response to what it says is the shifting intersection of theatrical film distribution and moviegoers’ accelerating trend towards in-home entertainment, new over-the-top company Row8 is launching what it claims will be the most cinematic and highest security digital streaming service – initially focused on exclusive premieres of foreign theatrical titles in the U.S. market. Row8’s goal is to elevate the experience of viewing theatrical features at home, presenting quality filmmaking fresh from theaters to targeted and passionate audiences
“I think if you’re making a high school movie, you can’t not watch John Hughes movies for reference,” said cinematographer Hillary Spera (Duck Butter, Submission). “Even if it’s subliminal, they’re woven into the language.” Filmmaker John Hughes had a string of hit films in the 1980s that were a true depiction of high school life in middle class suburbia. Movies like 16 Candles, The Breakfast Club, and Pretty in Pink portrayed teen characters with depth and intelligence but were also comedic.