One of Hollywood’s most gifted action directors, Antoine Fuqua explores the rarified violence of the boxing ring in his latest film Southpaw, released this month by The Weinstein Company. The director’s visceral boxing imagery is supported by a meticulously crafted soundtrack, created by a team from Sony Pictures Post Production Services led by supervising sound editor Mandell Winter, sound designer David Esparza and re-recording mixers Steve Pederson and Daniel J. Leahy.
New York City-based audio post-production company Sync Sound's founders and principles Bill Marino and Ken Hahn have sold their midtown Manhattan facility Digital Cinema to Warner Bros., Audio Media International reported.
The Motion Picture Sound Editors has announced the results of its annual Board of Directors election. Elected to two-year terms in Executive Seats are Jeremy J. Gordon as Sergeant-at-Arms, Paul Rodriguez as Treasurer and Mark Lanza as Vice President. They join continuing offices Frank Morrone (President) and Christopher Reeves (Secretary). Lanza and Rodriguez were incumbents.
Following extensive development and consultation with the post-production community, Nugen Audio today announced Loudness Toolkit 2.
Glenn Kiser, its founding director, believes the Dolby Institute's mission is straightforward: "The Dolby Institute engages artists by providing education, inspiration, and support throughout the creative process.”
Award winning supervising sound editors Peter Brown, Scott Hecker and Dave McMoyler have joined Formosa Group, a talent-based post-production sound company serving film, television, interactive, music and commercial clients.
Killer Tracks is expanding and broadening the scope of its groundbreaking Artist Series with a focus on emerging talent. The company is releasing a number of new tracks from breakout artists, including work from Portland alt rockers Rare Monk and the L.A.-based quartet Misun.
Since 2007 Warsaw-based Dreamsound (www.dreamsound.pl) has been one of Poland’s top film post-production studios, offering a complete range of services from recording sound on set through sound editing, mixing and audio mastering. Since its inception Dreamsound has been committed to offering its clients the very latest in film sound technologies, as evidenced by the fact that it’s the first post-production house in Poland licensed to produce film soundtracks using the Dolby Atmos surround-sound system, heard at its full potential thanks to a system based around Harman’s JBL ScreenArray loudspeakers and Crown DSi and XLS DriveCore Series amplifiers.
With all the attention focused on a film’s visuals, its audio sometimes receives insufficient attention. The best cinematography and visual finish can be ruined by inadequate audio post-production, an outcome that separates the amateur from the professional filmmaker.
When planning the post-production phase for her film Movie Night, Anne McCarthy turned to Burbank-based AlphaDogs, having worked with them previously. “I now use AlphaDogs exclusively after they were able to fix a problem I had on a past project in just 24 hours. I knew my film would be in good hands and would not have risked taking it anywhere else,” said McCarthy.