Sound artists from Sony Pictures Entertainment are among the nominees for 2016 Motion Picture Sound Editor Golden Reel Awards and the 52nd Cinema Audio Society Awards. Sony Pictures talent are nominated in six categories of the MPSE Golden Reel Awards for work on the films Southpaw and Hotel Transylvania 2, and the television series Homeland, Saints and Strangers and True Detective. Sony Pictures talent also received eight nominations for CAS Awards for work on the film The Hateful Eight and Hotel Transylvania 2, and the television series True Detective and Silicon Valley.
Twenty-one years after their first collaboration, Avid and Focusrite are in deep discussions once more, the results of which they look forward to announcing soon.
iZotope has added John Bigay to the executive team as chief marketing officer. Bigay will lead the strategic development and execution of global marketing, e-commerce, and education initiatives to accelerate the company’s rapid growth.
As with most independent films, budgets for the short film The Chain were minimal, which meant that sound editor and mixer Michael Gross needed to make the most of the audio he had from the set. iZotope’s RX suite of intelligent repair and enhancement modules enabled Gross to clean up production dialogue to a point where very little automatic dialogue replacement was required. For an independent film on a limited budget, this represented a huge savings in time and effort for both cast and crew.
The obvious difference between sound for the big screen, the small screen, and now, the tiny screen, may not seem that different. In many ways they are not. As sound designers and editors, we want the viewer to experience every gunshot and explosion as well as every word, whether listening in a theater, at home on a TV, or earbuds on the subway. Sound for the big screen on a movie like Trumbo means you can use 5, 7 or in the case of Dolby Atmos, unlimited channels, for panning. We also have a large dynamic range because of the room size and speaker size. This, in many ways, is the easiest for those of us creating the sound tracks.
Pro Sound Effects has added brand new Hybrid Library features including full online access, enhanced metadata, annual updates and more. New features were developed with user feedback to continually deliver more value to PSE's best-selling and most-reviewed general library.
Sony Pictures Animation’s monster hit Hotel Transylvania 2, currently topping charts and setting records at the worldwide box office, marks the return of the Drac Pack in an all-new comedy adventure. Like its hit 2012 predecessor, the new film is directed by Genndy Tartakovsky and features the voice talents of Adam Sandler, Andy Samberg, Selena Gomez, Kevin James, and many others. Also back for the sequel are supervising sound editor Geoffrey G. Rubay and his sound team from Sony Pictures Post Production Services.
On September 26, Sony Pictures Post Production Services will welcome leading innovators from across the world of motion picture sound as host of the Second Annual Mix Presents Sound for Film Conference and Exhibition. The theme for this year’s event, co-sponsored by the Motion Picture Sound Editors and the Cinema Audio Society, will be Music, Effects and Dialog in an Immersive World. It will explore the current boom in immersive sound technologies through speakers, panels, workshops and exhibits. Participants will include DTS, Dolby, Yamaha, Auro Technologies and other sound companies.
In a significant boost to its services for movie and television sound, Tattersall Sound & Picture has added Dolby Atmos technology to its largest mixing stage and completed its first project in the immersive sound format. Hyena Road, an Afghan war drama from actor/director Paul Gross (Passchendaele) will make its world premiere this month at the Toronto International Film Festival as a Gala Presentation.
One of Hollywood’s most gifted action directors, Antoine Fuqua explores the rarified violence of the boxing ring in his latest film Southpaw, released this month by The Weinstein Company. The director’s visceral boxing imagery is supported by a meticulously crafted soundtrack, created by a team from Sony Pictures Post Production Services led by supervising sound editor Mandell Winter, sound designer David Esparza and re-recording mixers Steve Pederson and Daniel J. Leahy.