Yesterday, the new British musical comedy directed by Danny Boyle, which was released last month following its debut at the Tribeca Film Festival, used as many as twelve cameras for some scenes. This presented some serious workflow challenges. To address them, cinematographer Christopher Ross BSC, who had previously worked with Boyle on the TV series Trust was joined by Mission digital imaging technician Thomas Patrick who had worked with him for the first time on Trust in 2017.
Christopher Ray, colorist at Picture Shop, joined director Albert Hugues’s epic adventure last year on Alpha, setting the looks on-set with FilmLight Daylight. His collaborative work with Technicolor senior colorist Maxine Gervais relied heavily on creativity and on the Daylight-Baselight Base Linked Grade exchange. Digital Cinema Report recently spoke with Ray about the experience.
Cinematic Media, a full-service post-production finishing facility focused exclusively on television and cinema content, has launched in Mexico City. Located on the lot at Estudios GGM, the new facility offers dailies, look development, editorial finishing, color grading and other services, and aims to capitalize on booming entertainment media production in Mexico and throughout Central and South America. In its first project, Cinematic Media provided finishing services for the second season of the Netflix series Ingobernable.
Deluxe has launched the Content & Key Manager to replace their existing Cinema Portal platform. The Content & Key Manager has been integrated as a service within Deluxe One – the company's flagship cloud-based platform that unifies each stage of the content supply chain, creating an end-to-end ability to manage assets and requirements from creation to delivery.
FotoKem was the facility of choice for providing comprehensive creative and technical services from pre-production through final deliverables on the critically acclaimed Star Wars: The Last Jedi from Disney/Lucasfilm. The facility built technically advanced solutions that supported the creative team through their interplanetary production from dailies to color grade.
Deluxe has formed Deluxe Technologies, a new division with more than 250 engineers from six tech centers around the world. Deluxe has played a key role in the technical evolution of the entertainment industry over the last century, and this is an initial step in the next transformation, towards Deluxe as a virtualized services and platform company.
FireFly Cinema’s FireDay digital dailies management application is available for just $249 a year instead of the usual $999, now through October 21.
Shared storage and media management systems company EditShare will expand its UK operations with a brand new office opening in London’s Soho district in July. The central London location features full demonstration capabilities of Ultra HD workflows. The facility will also offer professional and business development services, providing the local creative community a place to gain hands-on experience along with expert guidance for building next-generation editorial and VFX workflows.
The Hollywood Section of SMPTE today announced that its next monthly meeting, scheduled for May 31 will examine how data — lots of it — is exerting a major impact on decision-making in television and film production.
Bent is the latest motion picture production to move its media management to the WCPMedia cloud.