Doremi Cinema has announced a licensing agreement with International Datacasting Corporation for the integration of real-time streaming software into its line of SuperFlex Pro Cinema products. The pact also enables Doremi to embed Sensio Live 3D decoding technology into Doremi digital cinema servers for CineLive 3D AccessIT's newest solution for theatre owners. Doremi's software is integral to CineLive 3D. It will allow theatres to play live 3D alternative content to multiple screens simultaneously. Today's solutions require hardware for each screen that is to receive a broadcast event.
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Ballantyne of Omaha has reported financial results for the third quarter and nine months ended September 30th. Net third quarter revenues were $12.3 million a 2.4 percent decrease from net revenues of $12.6 million in Q3 2007 principally reflecting an expected decline in film-based products.
Support for independent storytelling has always been the driving force of Sundance Institute. This year the Institute is celebrating the 25th anniversary of the Sundance Film Festival by collecting anecdotes and memories from the people who know the most about what the Festival means. Only those who have been to the Sundance Film Festival can truly convey the true spirit of Sundance which is why the Institute is asking those who have been there to share their Sundance stories.
Xpand has reported that the animated 3D release Fly Me to the Moon from nWave Pictures has achieved unprecedented success on Xpand’s screens throughout Europe capturing an audience of approximately 73 000 during the film’s first five days of release. Sustaining the largest international market share of 3D screens spanning three continents Xpand predicts these numbers will grow substantially with Fly Me to the Moon’s current rating as the fourth most successful 3D film in 2008 based on audience numbers per screen. A delightful animated feature for the entire family the film embark
Q-tec Inc. one of Japan's leading video post-production service providers announced that it has completed the first domestic installation of 3D cinema system developed by digital 3D delivery company RealD. Q-tec plans to begin the full-scale operation this month. The number of digital 3D cinema screens in Japan was around 30 at the end of 2007 but there are currently more than 50 screens available as the United States film Journey to the Center of the Earth 3D was released in October. The number is projected to rise with the expectation of 3D films produced and released in Japan.
Chicago-based production equipment maker Zacuto has announced four new mounts including the Zephyr Zacuto's 15mm lightweight support plate; the ZRed an EVF Red One Mount; the Zandy a19mm to 15mm rod mount; and the Zgrip Zandy an articulating handgrip. Zephyr Replacing the Sony and Panasonic ENG style cameras’ V-Wedge plate the Zephyr allows a quick-release from the tripod plate.
Texas-based Premiere Cinema recently bought a cinema structure that is thanks to digital technology the first cineplex without a mezzanine while four of the fourteen theatres are 3D capable.
I missed this year’s ShowEast. I tore ligaments in my left foot in a volleyball game a few nights before the show began and was in no shape to navigate airports and trade show floors. However after going through a raft of press releases and talking to many people who were there I think it’s fair to say that I was not the only one who was feeling a measure of pain that week.
QuVIS has selected Paragon Software’s Universal File System Driver technology to embed within their new Wraptor Digital Cinema Package mastering plug-in for Apple Final Cut Studio. Paragon's technology fulfills the requirements for creating a digital cinema content distribution hard drive according to the Digital Cinema Initiative specifications by enabling a Mac with Wraptor and Final Cut Studio to: Create a Linux ext2/3 File System partition on a USB2.0 external hard drive suitable for use as a DCI-compliant distribution hard drive.
Ymagis the Paris-based European digital cinema services provider has announced that Universal Pictures will provide movies to theaters equipped by Ymagis and will pay digital print fees under a long-term agreement similar to those signed by Paramount Disney and Fox. Ymagis started its roll out activity in July after the first signing contracts with distributors and has so far signed contracts with exhibitors for a total of 29 screens in France.