The Hollywood Post Alliance has announced that the dean of the University of Southern California School of Cinematic Arts Elizabeth M. Daley will receive the organization’s first Charles S. Swartz Award. The award will be bestowed during the HPA Awards gala on November 6th and honors a person group company or technology that has made a significant artistic technological business or educational impact on post-production. The mission of this award is to recognize broad and lasting contributions that have advanced and/or provided some unique purpose to the field of post-production.
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Starting this month the Library of Congress will offer a picture-perfect dream for cinema buffs—classic movies shown three times a week in a new art deco theatre reminiscent of the movie palaces of the 1920s and 1930s. “Rarely today are so many classic American films shown in 35mm in a single location under such ideal new conditions ” says Mike Mashon head of the Moving Image section of the library’s Motion Picture Broadcasting and Recorded Sound division. The 200-seat theatre is located in the library’s state-of-the-art recently opened Packard Campus of the National Audio-Visual
Norwegian projector manufacturer projectiondesign previewed the first prototype of their cineo32 production specific projector to over 40 of London’s post-production and production community last month in Soho London. “In an effort to create a product that’s a perfect fit for the post-production environment we’ve worked very closely with the technical managers of leading post houses ” says Anders Løkke international marketing & communications manager at projectiondesign.
Litepanels has signed an agreement to be acquired by the Vitec Group supplier of products and services for the broadcast entertainment and photographic industries. Litepanels provides LED (light emitting diode) lighting systems for the television broadcast video and film industries. Its lighting products are a complementary addition to the Vitec Group Broadcast Systems Division which includes such brands as Sachtler Vinten Autoscript and Anton/Bauer.
The Film and Video Center of the Smithsonian National Museum of the American Indian requested that the award-winning The Sand Creek Massacre documentary film be entered in its 14th Native American Film + Video Festival to be held in New York City March 26 - 29 2009. The festival features films and video productions of all genres from North Central and South America and Hawaii.
Dolby provided technical services and digital cinema technology systems to the 2008 Toronto International Film Festival for the 15th year in a row. The 33rd TIFF was held September 4-13 at venues throughout Toronto. Digital technology is now prevalent throughout the entire ecosystem of moviemaking-from shooting and editing to postproduction making digital playback an ideal solution for festivals and theatres alike says Bill Allen senior director production services Dolby Laboratories.
Bennett Fogel has joined National CineMedia as senior vice president of sales development and integrated marketing in New York. In his new position Fogel will be responsible for developing new business strategy and introducing new advertisers to the cinema medium.
Aardman Animations has taken delivery of its third Maximum Throughput Sledgehammer HD!O file server and real-time multi-format video device. XFTX a Maximum Throughput reseller based in London is providing sales and integration support for the project. Aardman Broadcast and Commercials a division of Aardman Animations will incorporate the new unit into its existing production workflow at its Gas Ferry Road facility where it will be exclusively used for the production of TV commercials.
Atlantik Film a Hamburg-based branch of CinePostproduction has migrated to a tapeless workflow. The core of the new tapeless workflow is a DVS-SAN for use as an online and near-line storage system complemented by a SpycerBox. Existing and new systems are integrated via switches and data connections. Atlantik Film's goal had been to increase the performance efficiency and throughput rate of its projects while simultaneously achieving a maximum level of data security.
Band Pro has announced a special Lease-to-Own program for select Sony equipment and Zeiss DigiPrime and DigiZoom lenses purchased from Band Pro. This flexible program offers customized financing choices on approved credit including zero down and zero interest for 12-months zero down and 2.88 percent for 24 months or zero down and five percent interest for 36 months.