QSC has released is Cinema Spotlight webinar recordings and a wide selection of blog posts highlighting technology tips and best practices.
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Sami Haddad is the founder and president of Digital Light Sources and has more than thirty years experience in specialty lighting in various industries including cinema, entertainment and science. DLS was established roughly one year ago as a niche provider of lighting, projection, audio and video products and disinfection services to cinema and entertainment markets. When it became obvious that movie theatres were going to be in need of highly-specialized cleaning services when they reopen in the wake of the COVD-19 pandemic, his company formed an exclusive and strategic partnership with American Ultraviolet, a company that uses ultraviolet C lighting to disinfect businesses of all kinds. Our conversation started there.
Axle ai has launched a new Pro option for its axle ai 2020 software that supports Avid’s Media Composer professional editing software. With the new axle ai 2020 Pro module, Avid editors now have the capability of accessing both native Avid media and a wide range of other media remotely, through any standard web browser.
The American Society of Cinematographers board of governors has elected a new slate of officers, elevating Stephen Lighthill to president of the organization. The board also voted in vice presidents Amy Vincent, Bill Bennett, and John Simmons; treasurer Levie Isaacks; secretary Gregg Heschong; and sergeant-at-arms David Darby.
The Directors Guild of America recently completed a total renovation of its flagship motion picture exhibition space at the prestigious DGA Theatre in Los Angeles. Guided by a guild committee of six leading filmmakers, the renewal project has moved the 600-seat theatre to the forefront of cinema technology with the installation of custom-built Dolby Vision laser projection and a Dolby Atmos immersive sound system encompassing more than 70 Meyer Sound cinema loudspeakers.
Cinema history was made earlier this year when the South Korean black-comedy thriller Parasite became the first subtitled film in 92 years to win the Academy Award for Best Picture. Director Bong Joon-ho used his acceptance speech at the Golden Globes, where the film also won awards, to champion subtitles and encouraged audiences not to be put off by foreign language films. He said once audiences “overcome the one-inch-tall barrier of subtitles” they will be introduced to so many amazing films. He added that we use only one language: “the cinema."
The Hollywood Section of the Society of Motion Picture and Television Engineers has launched a new webinar series aimed at young people interested in behind-the-scenes careers in the entertainment industry. Titled Ask a Hollywood Expert, the series features successful, young professionals, across a range of technical disciplines including post production, visual effects and editorial, talking about how they got their start and what they learned as they advanced in their careers.
Digital Cinema Report has learned more details about LG’s entry into the LED Cinema Screen market. According to a company source, the screen does not yet have an official name but its model number is LAD033F. The company has not officially announced that it is entering the cinema market and, as such, is not making public statements about its screen.
Reading International today announced that it has begun limited cinema operations in New Zealand and will commence operating certain Reading Cinemas in Australia on June 11 in line with government and health department regulations following recent easing of certain government mandated COVID-19 closures.
Estudios GGM, Mexico’s largest independent production facility, is unveiling three new soundstages as it prepares to resume production activity in June. Ranging from 10,000 to 13,000 square feet, the new stages will be the studio’s largest and give it a total of nine shooting spaces. Construction of one stage is already complete while work on the other two will be finished by November when the studio expects to be supporting a full slate of television and feature productions.
When it came time for cinematographer John Conroy to develop the look for Showtime’s Penny Dreadful: City of Angels spin-off, he had already shot eight episodes of the original Penny Dreadful under his belt.
Kelly Tricarico is the founder, president and CEO of Cinema Pro, Inc and has been involved in the entertainment construction industry for nearly twenty years. She is also an executive member of the board of the newly formed trade group Women in Exhibition. As movie theatres around the country slowly begin to reopen I wanted to get Tricarico’s thoughts about the challenges involved in getting movie theatres ready for the public as we slowly emerge from the coronavirus pandemic.
Australia and New Zealand’s largest film exhibitor, Event Cinemas, has released the results from the largest survey of cinemagoers. Conducted in April and May, more than 20,000 Australians provided opinions and captured sentiment on returning to cinemas once they reopen. Overwhelmingly, Australians say they are comfortable returning to cinemas with social distancing measures in place with 94 percent confirming that they intend to return at the same frequency or more as before the pandemic.
RealD and Harkness Screens have expanded the availability of their Precision White Technology screens, which are produced in an exclusive partnership between the two companies.
Fathom Events, alongside Screen Media, a Chicken Soup for the Soul Entertainment company, will return to theatres with a first-run film this summer with Millennium Media and Rod Lurie’s military thriller, The Outpost, a true story based on Jake Tapper’s best-selling non-fiction book, The Outpost: An Untold Story of American Valor. The exclusive event is scheduled to begin on July 2 on approximately 500 screens, followed by a weeklong limited theatrical run starting July 3. Each screening will be accompanied by a special introduction from select cast members and exclusive behind-the-scenes footage.
The Independent Cinema Alliance and the Cinema Buying Alliance are partnering with Digital Light Sources to launch the first UVC air and surface disinfection program for facility-wide theatre complexes.
Marcus Theatres has added a drive-in movie theatre to its Twin Creek Cinema in Bellevue, Nebraska. Strong Technical Services worked with Marcus to develop the concept. Additional locations are under consideration.
My intimate contact with COVID-19 started last December. Looking back, I remember I was trying to arrange interviews for a new business development director in Beijing. I would fly out for a full day of interviews plus a quarterly business review with our China general manager, Allen Xing. Harkness had been developing a partnership for a high gain silver 3D screen with a premium format cinema brand.
The Association of Moving Image Archivists has launched the AMIA Diversity and Inclusion Fellowship Program a new initiative designed to expand career opportunities, advance learning objectives and guide professionals from groups that have been traditionally underrepresented in the field of audiovisual archiving and preservation.
As has long been expected, Korean manufacturer LG has announced plans to begin selling LED screens to mainstream movie theatres around the world. The news was first reported by the Korean media outlet Aju News.