Color Grading

Assimilate DIT Pack+ Available Now with Hedge Backup Software

Mon, 08/09/2021 - 10:06 -- Nick Dager

Assimilate has announced the immediate availability of its new Digital Imaging Technician Pack+, a bundle of three tightly integrated applications that greatly simplifies the DIT’s day-to-day operations with the most efficient and streamlined workflow to date. The bundle includes Assimilate's Live Looks for live grading, Hedge for camera-media offload and back-up, and Assimilate’s Scratch.

Color Me Resilient

Tue, 06/15/2021 - 11:32 -- Nick Dager

Arsenal FX Color provided post-production finishing services for Ferguson Rises, director Mobolaji Olambiwonnu’s inspiring documentary about Ferguson, Missouri which in 2014 became a flashpoint for the civil rights movement after a white police officer was acquitted of criminal charges in the killing of Michael J. Brown, an unarmed black man, sparking days of protest and rage. Says Olambiwonnu, I wanted to provide a counternarrative to the events that took place, one based not on loss, but on hope and resilience.”

Aidan Stanford Joins ArsenalFX Color

Tue, 05/18/2021 - 08:57 -- Nick Dager

Feature film and television colorist Aidan Stanford has joined ArsenalFX Color. Stanford is a 25-year industry veteran whose recent credits include the hit Lionsgate feature Knives Out as well as the television series Better Call Saul (AMC), Bonding (Netflix), Briarpatch (USA) and Central Park (Apple TV+). He joins a growing post-production finishing department at ArsenalFX Color’s facility in Santa Monica where he will grade episodic television, independent features, studio features and other projects

Teaching the Art and Science of Color

Mon, 05/17/2021 - 09:04 -- Nick Dager

Founded by colorists Kevin Shaw and Warren Eagles, the International Colorist Academy has been a place for industry professionals to learn since its inception. With more than 50 years of grading experience between them, and 30 years of training and demo experience, Shaw and Eagles know what they are about. They know that confidence, mentorship, and community are as important as the skills themselves.

Goldcrest Hires Colorist Steve Beganyi

Tue, 04/13/2021 - 09:05 -- Nick Dager

Goldcrest Post has added colorist Steve Beganyi to its team of senior artists. Bringing more than 20 years of post-production experience, much of it centering on documentary films and television series, Beganyi joins a department dedicated to sound and picture finishing for docs. His recent credits include Jerusalem: City of Faith and Fury for CNN and My Next Guest Needs No Introduction with David Letterman for Netflix.

Making Each Moment Count

Tue, 03/30/2021 - 10:47 -- Nick Dager

For the new independent drama Mayday, Goldcrest Post senior colorist Marcy Robinson worked with director Karen Cinorre, in her feature debut, and cinematographer Sam Levy to hone a unique visual language for a one-of-a-kind story that blends fantasy and reality in colorful and unexpected ways.

Post Tremors

Tue, 03/30/2021 - 10:41 -- Nick Dager

Pace Pictures provided complete post-production services for Tremors: Shrieker Island, the latest installment in the cult horror franchise about giant, worm-like creatures that prey on humans.

Grizzly II: The Revenge Reborn

Wed, 03/24/2021 - 09:29 -- Nick Dager

Goldcrest Post recently performed a feat of post-production magic for one of the most unusual film releases of the year. Grizzly II: The Revenge, a thriller about a giant bear that attacks fans at a rock concert, was shot in 1983 by the late Hungarian director André Szöts. Starring Steve Inwood, and including appearances by George Clooney, Laura Dern, Louise Fletcher and Charlie Sheen, the film was intended to be a sequel to Grizzly, a modestly budgeted independent film that became the top grossing independent film of all time upon its release in 1976, but it was left unfinished. That changed late last year when executive producer Suzanne C. Nagy retrieved the nearly 40-year-old original elements from storage and sought Goldcrest’s help in getting the film ready for its long-delayed release.

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