Cooke S4/i prime lenses

Making A Suitable Boy

Produced to extremely high production standards and directed by Indian American filmmaker Mira Nair, A Suitable Boy tells the story of spirited university student Lata (Tanya Maniktala) as she comes of age in North India in 1951, at the same time as the country is carving out its own identity as an independent nation and is about to go to the polls for its first democratic general election. The series involves more than a hundred characters, many belonging to one of four extended families.

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Sony Venice CineAlta camera

A Distinctly Cinematic Feel

For the historical vignettes in the upcoming CNN six-hour, six-part miniseries Pope: The Most Powerful Man in History, cinematographer Dane Lawing wanted each era to have its own look and a distinctly cinematic feel. To achieve this, he relied exclusively on Cooke S4/i prime lenses.

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Cooke S4/i prime lenses

Arri Alexa

Arri Amira

Creating a Naturalistic Look

Writer/director Paul Shoulberg’s vision for his feature The Good Catholic was to have it not look like a typical romantic comedy, but to take on a more naturalistic look and feel. To help achieve that vision, cinematographer Justin Montgomery, who worked with Shoulberg on a previous short project, selected Cooke’s S4/i prime lenses to take advantage of their warmth and bokeh, giving images a creamy quality with sharpness.

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Cooke S4/i prime lenses

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Cooke S4/i prime lenses

Making A Suitable Boy

A Distinctly Cinematic Feel

Creating a Naturalistic Look

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Cooke S4/i prime lenses