Cameras

Codex Introduces Action Cam at NAB 2014

Mon, 04/21/2014 - 13:56 -- Nick Dager

Codex introduced the Action Cam earlier this month at the National Association of Broadcasters show in Las Vegas. The camera delivers high-definition shooting, capture, transcoding and data management for situations that require a compact form factor and low weight. It comprises a tiny camera head and a Codex Camera Control Recorder that delivers full remote control of the camera, plus the proven workflow of Codex.

Blackmagic Design Introduces Ursa at NAB 2014

Mon, 04/21/2014 - 13:45 -- Nick Dager

At the National Association of Broadcasters show earlier this month in Las Vegas Blackmagic Design introduced Blackmagic Ursa, a high-end digital film camera the company says is “designed to revolutionize workflow on set.” Built to handle the ergonomics of large film crews as well as single person use, Ursa has multiple accessories built in, including a massive 10 inch fold out on set monitor, large user upgradable Super 35 global shutter 4K image sensor and internal dual Raw and Apple ProRes recorders.

Arri Showcases the Amira Camera at NAB 2014

Mon, 04/21/2014 - 13:34 -- Nick Dager

Arri showcased its new Amira camera at the National Association of Broadcasters show earlier this month in Las Vegas. A versatile documentary-style camera that combines exceptional image quality and affordable CFast 2.0 workflows, the Amira has an ergonomic design optimized for single-operator use and extended shoulder-mounted operation. Ready to pick up and shoot straight out of the camera bag, Amira is hardy enough to take anywhere and features in-camera grading with preloaded looks based on 3D LUTs, as well as 200 fps slow motion.

AJA Video Systems Unveils the Cion Camera at NAB 2014

Mon, 04/21/2014 - 13:30 -- Nick Dager

In what was arguably the hit of the event, AJA Video Systems unveiled the Cion camera at the National Association of Broadcasters show earlier this month in Las Vegas. The totally new camera features an ergonomic design and is capable of shooting at 4K/UltraHD and 2K/HD resolutions. AJA pioneered lens-to-post Apple ProRes workflows with the introduction of the Ki Pro product line in 2009 and Cion builds on this achievement by offering in-camera recording directly to the Apple ProRes family of codecs - including 12-bit 444 - for pristine image capture.

Miller Camera Support to Host Filmmaker Seminars at NAB 2014

Wed, 04/02/2014 - 11:41 -- Nick Dager

Three top filmmakers will hold seminars next week at the Miller Camera Support booth (C9520) at the National Association of Broadcasters convention in Las Vegas. Accredited time-lapse photographer Ryan Killackey, renowned Italian filmmaker Ketch Rossi and esteemed British filmmaker Philip Bloom will each share their insights into the complex, inner workings of the film and television industries and why they choose to rely on Miller Camera Support equipment when out in the field.

Documenting Global Warming Cinema Vérité Style

Mon, 03/31/2014 - 16:06 -- Nick Dager

Climate change is a complex global phenomenon. Documenting its many aspects for a new multi-part cable series required an HD production format that could not only provide a cinematic, audience-friendly look but also the flexibility to capture everything from expert interviews to location footage shot in a wide range of temperature extremes. Challenged with these requirements, the producers of Showtime’s Years of Living Dangerously chose Canon EOS C300 digital cinema cameras and a wide variety of Canon optics, including Canon CN-E Cinema prime lenses, for the superb image quality, extreme mobility, and creative capabilities needed to make this multi-camera documentary-style series.

Codex, Vision Research Working on Phantom Flex4K Workflow

Mon, 03/31/2014 - 15:47 -- Nick Dager

Codex has announced that it is working with Vision Research to provide a robust workflow for the Phantom Flex4K camera. Already widely used around the world with many different cameras, Codex Vault is a mobile workflow device that supports the rapid transfer of the digital camera originals from the Phantom for review, post-production and archiving.

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