Seventeen years after Bad Boys ll, the Bad Boys Mike Lowrey (Will Smith) and Marcus Burnett (Martin Lawrence) teamed up again for one last ride in Sony Pictures’ worldwide box office hit, Bad Boys for Life. Car chases, gun battles, explosions and other forms of mayhem—all requiring robust sound treatment—occur throughout the film, but the story is driven by the hilarious bad-boy banter between Mike and Marcus. Capitalizing on every twist and turn of the action sequences while allowing the humor to punch through was a challenge for the sound artists.
Continuing its long association with the world’s best independent films, Alchemy Post Sound provided Foley sound services for nine films screening at this year’s Sundance Film Festival. They include three films participating in the festival’s prestigious U.S. Dramatic Competition and two included in its Premieres track.
The Motion Picture Sound Editors association presented the 67th MPSE Annual Golden Reel Awards at a black-tie ceremony Sunday, January 19 at the Bonaventure Hotel in Los Angeles. Golden Reel Awards recognizing outstanding achievement in sound editing were presented in 23 categories encompassing feature films, long-form and short-form television, animation, documentaries, games, special venue and other media.
In Columbia Pictures’ Jumanji: The Next Level, the gang from the 2017 hit, Jumanji: Welcome to the Jungle, is back but the game has changed. As they return to Jumanji to rescue one of their own, they discover that nothing is as they expect. The players will have to brave parts unknown and unexplored, from the arid deserts to the snowy mountains, in order to escape the world’s most dangerous game. The film, which made its way to North American theatres in December, has collected more than $600 million at the global box office. Also marking a return engagement is the team from Sony Pictures Post Production Services that created the earlier film’s soundtrack.
Dolby Laboratories congratulates this year’s Academy Award nominees who have used Dolby Vision and Dolby Atmos to bring their films to life. With the help of Dolby technologies these artists delivered spectacular experiences to audiences globally. The Academy Awards will be broadcast live from the iconic Dolby Theatre in Hollywood, on Sunday, February 9.
Aiming to tap the current boom in film and television production, Signature Post, a fully immersive sound editorial and mixing facility, has launched in Burbank, California. Built by Kaiser Comm Construction, the all-new facility features three Dolby Atmos-certified mix stages and an automated dialogue replacement production stage and will cater to high-end feature and television projects.
The riveting crime drama Godfather of Harlem has earned critical praise and popular success for its unflinching portrait of 1960s Harlem under the sway of competing criminal gangs. A big part of the show’s uncanny realism derives from its soundtrack, edited and mixed at Goldcrest Post, which blends the idiosyncratic dialogue of Italian and African-American mobsters with meticulously-detailed New York City soundscapes and an absorbing blend of period and contemporary music.
James Longeretta, owner of post-production systems provider Vortechs, has teamed with veteran supervising sound editor/re-recording mixer Joe Schultz (Once Upon a Time, Lost, Amazing Stories for Apple TV) to launch Waterman Sound. The facility offers sound editorial, sound design, mixing, and automated dialogue replacement from its newly built studio in Toluca Lake, California. The company has hired ADR mixer Marilyn Morris (Captain Marvel, Miss Sloane), formerly of Skywalker Sound and Dubbing Brothers, to helm its ADR stage
Established in 1994 by composer, sound designer and dialogue director Rob King, Green Street Studios has accumulated more than 20 years of experience in audio and music production for video games, film, music and other media. Anticipating the growing acceptance of immersive-sound projects for games, film and television, King spent much of the last two years auditioning speakers for the 7.1.4 array he knew would become the standard in the emerging immersive media environment.
Sim, which recently completed a major expansion of its post-production facility in New York City, has seven new rooms there, four that accommodate audio. All four new audio rooms and a central machine room are linked using a network employing components from Focusrite’s RedNet range of Dante-networked audio converters and interfaces. There are now three broadcast audio 5.1-surround mix suites, one with Dolby Atmos capability, and an ADR/VO recording studio, which can accommodate as many as five actors.