High Dynamic Range

German Theatres Embrace EclairColor

Thu, 03/23/2017 - 11:20 -- Nick Dager

CinemaNext has announced that it has equipped 25 screens in 13 cinemas across Germany with EclairColor technology. In conjunction with these installations, Ymagis Group’s content services arm, Eclair, has overseen the EclairColor mastering of the film The Lost City of Z, which opens in cinemas in Germany March 30. The film from critically acclaimed director James Gray is distributed by StudioCanal in both Germany and France.

CinemaNext Launches Sphera

Tue, 03/21/2017 - 11:13 -- Nick Dager

CinemaNext today announced the launch of Sphera, its new premium format cinema concept, designed to deliver a superior movie going experience and content flexibility for cinema operators and theatre owners. CinemaNext will introduce Sphera next week during CinemaCon 2017 at Caesars Palace in Las Vegas.

ÉclairColor Demoed in Hollywood

Wed, 03/08/2017 - 12:07 -- Sarah Priestnall

Representatives from the European digital cinema technology and services company Ymagis Group returned to Hollywood last week to give private demos of their ÉclairColor process at the Harmony Gold theatre on Sunset Boulevard. Presenting side-by-side clips from last year’s release The Neon Demon, they showed high dynamic range images with high contrast, deep blacks, excellent highlight detail and vibrant colors.

MTI Film Expands to Support HDR

Tue, 02/28/2017 - 11:18 -- Nick Dager

MTI Film has completed a major expansion of its Hollywood facility designed to accommodate growing demand for post-production services and support for high dynamic range content. The expansion includes the addition of two new color-grading suites and an editorial finishing suite, all HDR capable.

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The Artistry of Jungle Book: Part 1

Mon, 02/27/2017 - 13:33 -- Nick Dager

Director Jon Favreau’s The Jungle Book won this year’s Oscar for Best Visual Effects. A Walt Disney Picture, the movie is unique because the only live action character, the boy Mowgli, was shot on bluescreen while everything else was computer-generated. The visual effects team included key talent from Technicolor and its subsidiary, the Moving Picture Company. In part one of our five-part series, Adam Valdez, visual effects supervisor with MPC explains how teamwork, talent and a pursuit of excellence combined to create a movie that has been widely acclaimed for its artistic and technological accompaniments.

Barco Calls for an HDR Standard

Wed, 02/15/2017 - 15:09 -- Nick Dager

In ever increasing numbers, exhibitors around the world are making the transition to laser projection. In response to that, at CinemaCon 2017 Barco will unveil the DP4K-40LHC and 20LHC RGB Flagship, 6P 3D single chassis, integrated high contrast projectors to the American audience. But nowhere in the new projectors’ specs will you find the term high dynamic range, which, given their capabilities seems like an oversight. Barco has a specific explanation for this, namely that it believes the exhibition world needs an HDR standard.

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