Support Equipment

Kyle Camarillo Wins MōVI at ReDirect Skateboard Filmmaking Competition

Mon, 07/28/2014 - 12:42 -- Nick Dager

When Kyle Camarillo was selected for the ReDirect skateboard filmmaking competition sponsored by Red Digital Cinema and famed skate park, The Berrics, he chose to film his entry with Freefly Systems’ MōVI M10 camera stabilizer. “We’ve always skated alongside the skateboarder to capture footage, so keeping the camera steady is what we always strive for,” Camarillo says. “Using the MōVI perfected that as well as opened up new doors.”

Curt Pair Puts Manios Digital & Film’s MD7 to the Test

Tue, 07/08/2014 - 12:21 -- Nick Dager

Manios Digital & Film’s MD7 is a lightweight, 7-inch LED 1080p field monitor that combines an economical price – list is $440 – with a feature set comparable to, and in some cases exceeding, monitors costing several times more. Among the first pros to test drive the MD7 was Curt Pair, a Phoenix-based director of photography and principal of Picture This Productions. Pair, whose credits range from news and documentaries to commercials, corporate media and music videos, conducted camera tests with the monitor at an air show in March. Since then, he’s used it on a pair of real-world assignments: a segment for the Golf Channel series In Play with Jimmy Rogers and a commercial for Ford, all with superb results.

Going Where the Action Is

Mon, 06/16/2014 - 11:56 -- Nick Dager

Freddie Wong, co-creator and director of Video Game High School, says his show, an online comedy web series is defined by a lot of action sequences. Now shooting season three, Wong recently discovered Freefly Systems’ MōVI M10 handheld camera stabilizer. “The MōVI M10 allowed complete and unrestricted freedom with regard to camera movement,” he says.

X-Men: Days Of Future Past Relied on Codex

Tue, 06/03/2014 - 14:55 -- Nick Dager

Codex recording and workflow technology was used at the heart of the production to post pipeline on 20th Century Fox’s latest superhero movie X-Men: Days Of Future Past. A combination of Codex Onboard Recorders, in-camera XR recording, and Vault systems, enabled the filmmakers to deploy a variety of Arri Alexa cameras, shooting both native 3D and 2D using ArriRaw, and to maximize image quality on-set and during post-production.

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